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A la recherche de données JSON en français
2020.09.18 09:30 gibson1005A la recherche de données JSON en français
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Hello again! I had a new idea/rambling nonsense, and decided to try to flesh it out, please let me know what you think! Y'alls comments are just so cool. First Previous I’ve had the Yorktown for all of five minutes. I thought irritably. How is it that I already have this much paperwork!? We were awaiting another meeting with some of our diplomats. Because nothing the UN does shall ever be efficient, we were sitting around in one of the labyrinthine subbuildings of the Council, when there were dozens of useful things I could be doing on my ship. H’laath was doing paperwork as well, his eyes dulled nearly to lightlessness with stupefied annoyance. Common ground! Perhaps the surest kind. I trudged to the end of the form I was working on, then decided the rest were a problem for future me and switched to answering emails. Felicity and Rose wanted an update. My mother wanted to ensure I was eating enough protein. And Sly Forester, captain of the Enterprise, wanted a word with me. That was weird—I wasn’t in his battle group anymore, hadn’t seen him since before I was captured. Hey Charlie, It was great to hear you’re back in the black—we knew you’d find a way. Just something I thought I ought to tell you, recently we encountered two science ships hanging closer to the group than usual. So close, in fact, that if we hadn’t noticed them our energy outputs would’ve interfered with their readings. Naturally we were very upset at the thought that we could’ve tainted someone’s research that way, so we kept an especially sharp watch out and were quite distressed to discover that if we hadn’t been doing so we might have corrupted the data of a further three vessels. Something that might be of interest to you is that you would’ve been taller than the crews of all of them. We might be down your neck of the woods before too long, the Navy is loath to think that we could be interfering with anyone’s research, and is eager that such a situation should be remedied. If that happens, looking forward to buying you a drink, Sly P.S. Nicky wishes to inquire how the Z’lask, as we are given to understand they place the highest value on decorum and deportment, managed to forbear executing you. He further wishes to register his deepest consternation that such a happy event, which would greatly relieve the terrible burdens on his beleaguered mind, did not come to pass. I tried to laugh quietly. Damn I missed those guys. H’laath noticed despite my efforts, and, evidently as eager as I was for an excuse to stop working, looked up to ask what I was laughing about. “Er…one of my friends made a joke,” I said, not sure if the Z’lask had sarcasm. Since H’laath was sitting there looking expectant I decided what the hell, he would have to learn sometime. “Uh, here,” I copied Sly’s postscript and swiped it over to H’laath’s tablet. H’laath poked the type with his stylus to translate it from English, brooded over it for a few moments, then said, “I do not understand. Does not everyone who is compelled to spend any length of time with you wish for your execution?” His tail was twitching. “Oh, fuck you,” I said, snatching the text back. H’laath cackled. Never mind. Screw him. “Tell me though,” H’laath snorted, trying with difficulty to sober up. “Who was that friend?” “Captain Nicky Hoppas,” I said, a little cautiously. I didn’t think that he and H’laath had been on opposite sides of anything specific, but you never knew. “He commands the Wyoming in the battle group I was assigned to, we’ve known each other a long time. He’s not very good about sending his own emails or whatever, he always badgers everyone else to carry messages for him. It’s so fucking annoying.” My best friend’s stupid idiosyncrasy suddenly struck me as the most endearing thing in the galaxy. H’laath laughed again. “Commander Ziket A’lora, with whom I served for several years, had the opposite problem. Any time a thought occurred to her, she had to communicate it. Often what she had to say was quite useful, but frequently it was entirely trivial. We oscillated between appreciating her input and wishing she would shut the hell up.” I burst out laughing, half at poor Commander A’lora’s—whoever she was—lack of a filter, and half in surprise; this was the first time H’laath has loosened up enough to swear in front of me. I guess we were having us a little moment. A babble of languages broke out around the corner, and the lovely little moment was gone. “Hey, just so you know,” I said, and his eyes brightened as he caught the change in my tone. “The Lappa are getting pushier.” He looked a little confused, but didn’t argue, just flicked his tongue once and folded his arms. The commandant whisked around the corner, his eyes bright as flares. “We must come up with a line,” he barked. “Good morning to you, too,” I said. He lashed his tail. “Be yourself some other time, Sorensen. This is imperative. The Lappa are furious.” “What are their undergarments in knots over this time?” H’laath asked, getting to his feet with ostentatious resignation. “The Canirii,” the commandant said, and we both blinked. “I’m sorry, but what do they have to do with us?” I didn’t like this. If the Lappa were changing tacks so abruptly it could only be to try to attack us from a new angle. “They acted as a Protecting Power during the war,” the commandant elaborated. “The Lappa are now claiming that only those representatives have the necessary knowledge of both our species to impartially and accurately judge if our alliance is to be tolerated by the Council. The problem is that the Canirii categorically refuse their vote of assent to any alliance that includes—officially or unofficially—mutual defense pacts, since such things offend their sensibilities.” The commandant was making his plotting face. “I propose that we attempt to convince the Canirii.” He said at last, tone as emotionless as ever. I snorted. “Of what? They’ve lodged at least three official protests against the UN, and they lost their minds when the Tribunal convened in The Hague. They hate you and now they hate us. Now that I’m thinking about it I’m surprised the Lappa didn’t get them on board sooner—they’re natural allies.” H’laath was looking rapidly back and forth between us. “Except not quite,” the commandant’s tail was slowly twitching. “The Canirii place the ultimate value on life, similar to humans. However, while humans believe that there are certain ways of life worth killing for, the Canirii believe that nothing is.” “Do they have any experience with the kind of thing we’d fight to defeat?” I asked, surprised by how bitter my voice sounded. I was getting so, so tired of this shit. And the worst part was, none of it was alien. All of this hypocrisy and hysteria and double-standards and double-dealing were staples of human politics. So I supposed that what I was really feeling was disillusionment—I had expected the aliens who managed to behave better than we did to truly be better than we were. And now I was seeing that they weren’t, and it was bitterly disappointing that the grandest thing in this beautiful galaxy was the piece of work called man. Wherever you go, there you are. “They do not,” the commandant was saying dispassionately, unaware of my thinking. “Their philosophy took hold even earlier in their development than the Code did in ours. They have long since forgotten suspicion and survival.” That’s an interesting pair of words. I raised an eyebrow. Now there was a thought. “So the Canirii…see no risks in diplomacy?” I asked carefully. H’laath frowned at me. He’d been around us enough to know something was up, but still had no idea how to guess what. “No, of course not,” the commandant responded emotionlessly. “To them, diplomacy is almost a religious calling. They went between our governments during the worst of our war, and never feared they would be killed, taken hostage, or so much as roughly handled.” I felt a grin spread over my face. H’laath flinched, but the commandant stood up a little straighter, if such a thing were possible. For humans, the danger in diplomacy had always been that the nation which held out an olive branch with one hand was readying a dagger with the other, that the man who smiled was doing so for the expedient of baring his teeth. No one should know that better than the bastard who screamed for the protection of the Geneva Conventions, then dug tunnels and skulked out by night. That wasn’t a problem with the Canirii. They believed they could convert us, and who knew, one of these days they might, and we could beat our swords into plowshares. All we had to do was convince them of that possibility, and if what the commandant said was true, it should be the easiest thing in the galaxy. “Alright then,” I said happily. “Let’s go make the Canirii our new best friends.” “What?” H’laath asked. The commandant’s eyes brightened. “The Canirii are pacifists. They want to cooperate; they believe they can cooperate. If we convince them that our weapons are only for self-defense—which they fucking are—and that we would be willing to give them up if one sunny day there were no longer any need for self-defense, we’ll win them over. The Lappa’s hold on them relies on us acting like animals, snarling and snapping at any outstretched hand. So, let’s show them that we’re human.” The commandant pointed a claw. “Yes,” he said. “I believe I know this philosophy: ‘do I not destroy my enemies when I make them my friends?’” He’s terrifying. H’laath put his head to one side. “I suppose that is valid. Let us go destroy the Canirii.” “Wonderful,” I grimaced. “But as I said,” the commandant reiterated. “We must come up with a line.” “A line?” I was gonna get a headache. “Yes,” the commandant said impatiently. “A ‘line,’ I believe, is a narrative to which all members of a party adhere when questioned. I remember overhearing two of your sailors agreeing upon their ‘line’ before attempting to explain the oh-so-mysterious breaking of windows.” Damn it, Hilts and Ramsey! “I don’t know what they told you, but I’m sure it was the unvarnished truth,” I said drily. “They lied!” H’laath realized, eyes shining with a perceptiveness that rivaled my own. “I am not suggesting we lie,” the commandant continued doggedly. “I am suggesting that we agree upon a course of action.” “Which is a good idea,” I said hurriedly, before we could get sidetracked again. “I think….” “I still think this is a dubious idea,” H’laath muttered several hours later, eyeing the popcorn I was digging into with distaste. “You said it yourself,” I said, with my mouth full. “Your people don’t have any art, so you’re very interested to experience ours, the first in the galaxy honorable enough for you. So even if our Canirii guests are unimpressed, this evening should help further our alliance.” “This had better be an excellent movie,” the commandant rumbled, eyes narrowed as he digested the manifold implications of human cinema. “Don’t worry, it’s the best movie ever made,” I assured them, crunching my popcorn. My crew was under the strictest threats that if they made a mess, they wouldn’t get popcorn til the next war. Which may or may not be sooner than we thought. Hopefully not. The commandant was studying one of the background sheets we’d stolen off the datanet and printed out to help the audience follow the plot. “But this says the movie was made before color film entered common use. The film will be in black and white?” “That’s how you know just how good it is,” I countered. “It’s stood the test of time.” Looking slightly mollified, the commandant sat back and folded his arms. H’laath was still squinting at his sheet, looking so confused I briefly wondered if he was trying to read it upside-down. “Well, there is a war,” he said at last, sitting back as well. “So there are opportunities for honor. I will watch this.” I leveled a flat look at the ceiling. The lights went down and the crowd gradually shut up. Only a little bit of popcorn was thrown. From the first swell of music, the Z’lask were hooked. The Canirii appeared a bit more doubtful, they had an art of their own and weren’t as eager as the Z’lask for every exposure to it. The opening narration, however, reeled in the entire audience; everyone in the room would never forget the day our war started. It made the words especially, emotionally evocative. “With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas….” Casablanca. Despite the summary sheets, there was still a good deal of confusion in the audience. The Z’lask were having trouble working out who was fighting whom, the Canirii were upset no one was taking care of the refugees, and entirely too many humans were too busy whispering to their friends to catch the dialogue. How do these idiots watch movies by themselves? Viktor Laszlo’s scarred face received a storm of claw-tapping approval, and the composure with which he handled the Nazis earned the commandant’s funny, open-mouthed grin. The Z’lask fell in love with the simple melody of the movie’s theme. They didn’t really follow the words, but they understood the mood. And they were engaged; most of them were leaning forward, trying to decipher Rick’s words, to work out whether the enigmatic café owner was honorable or a Codebreaker. The Canirii gripped their ruffs in distress watching Rick drink, acting as traumatized as if they were being tortured. Which I supposed this was for them, seeing conflict unfold and being unable to do anything about it. Rick stared forsakenly into the darkness of the closed café, as though he could see all the way across the Atlantic to home. “If it’s December 1941 in Casablanca, what time is it in New York?” Sam didn’t know. “I bet they’re asleep in New York. I bet they’re asleep all over America.” I have that thought. At least two Z’lask started crying when As Time Goes By built beautifully into La Marseilles. They haven’t the foggiest idea what’s going on in the montage, but the music told them the coming invasion was bringing heartbreak with it, and they started looking around in bewilderment, wondering who was going to fight back. The Canirii buried their faces in their hands, consumed with the tragedy. The Z’lask were shocked when the Nazis commandeered Sam’s piano, staring at each other in horror at the music’s betrayal. Even H’laath glanced sideways at me, furious that music should be permitted to fall into the hands of Codebreakers. The commandant sat on the edge of his seat, claws clasped under his chin, waiting to see if somehow the humans would redeem themselves. His faith was rewarded when Laszlo, with the support of the heretofore-Codeless Rick, led the café to its feet to drown out the Nazis. The Z’lask loved the words to La Marseilles, the Canirii were watching with…I didn’t know. They no longer looked like they were being forced to watch a train crash, but they didn’t look happy either. I chewed the inside of my cheek and tried not to worry. They stayed stoic for the rest of the movie, not reacting even to the Z’lask’s jubilation when Rick shot Major Strasser. They, on the other hand, were completely caught up in the movie as, with the strains of La Marseilles floating in the background, Rick and Louie walked off into the night, and the beginning of a beautiful friendship. “Admit it,” I said happily when the lights came back on. “I picked a good movie.” “It was alright,” H’laath said stiffly, to conceal the fact that he’d been crying like a three-year-old not five minutes before. “I believe we may have gotten through to the Canirii,” the commandant was saying, craning his neck to keep them in sight. “Really?” I was doubtful. “They’re sitting there looking like they’re about to get their teeth pulled.” “Teeth pulled?” H’laath asked in horror. The commandant ignored him. “Yes. That is why they look so uncomfortable: their presumptions are being challenged. They certainly did not expect to see art made out of war—remember, they believe any opposition to cause destruction. They received humanity’s claims of progressing through conflict as the excuses of a species in denial. Now they are wondering if they must revise that prejudice.” “Are they capable of doing that?” I asked dubiously, watching them put their heads together and start conversing rapidly. “Z’aa only knows,” the commandant replied, crossing his arms. “But we have made a good start this evening.” “Well, it’s just a movie…” I said. H’laath turned on me. “Just a movie?” His tail was cracking back and forth with outrage. “How many of these do you have that you think of them as ‘just’ anything? Do you have any idea, any at all, of what this looked like to us?” I regarded him for a moment. “You’re right, I shouldn’t have said that,” I eventually managed to produce. “I wonder what our next steps should be,” the commandant muttered, eyes dimming and brightening as he devised and discarded ideas. “Well, tonight we showed them fiction,” I said, trying to think systematically. “Fiction is supposed to explicate life. Reality is complex, so you design an unreality to demonstrate some dimension of it. Maybe…we could show them something nonfictional, that builds on the ideas they’ve already been exposed to.” “Do you think we could show them a book?” The commandant asked, looking hopeful. I remembered suddenly that he had had a shelf full of human history textbooks in his office. “I think that’s a good idea,” I said. “We’re trying to communicate across a divide; books have been doing that for centuries.” H’laath was staring off into space, his eyes gradually brightening like plasmacoils heating up. “So art is not just made to express something? It can be made to…argue something? To show people an ideal—because ideals cannot exist outside of art—to emulate?” How in the world did he come up with that? The Z’lask had a lot more going on than even they gave themselves credit for. “Sure, exactly,” I said. “Often art is just made to entertain, to provide some kind escape from life. Occasionally, though, art is about influencing life. Sending a message or giving a warning or, like you said, presenting an example.” H’laath’s tail flicked quickly from side to side. “Do people ever…heed these arguments?” “Well…sometimes,” I answered carefully. “Not usually. It’s a pretty rare work that can really reach a lot of people. Here, a few years before the war a movie came out called Not By Bread Alone, about the resistance against the Saturn Separatists. It’s still a very popular movie, and there’s this extremely famous scene where one of the protagonists is executed. The actress won a pretty big award for it, and that scene became this really well-known thing.” I squinted, recalling one of the strangest days I’d lived through. “I remember the first few weeks after the war broke out, people kept quoting it to each other. Those lines were an example of someone being heroic that everyone knew, and even though it wasn’t real, it was a way to try to talk about something that without that distance of fiction, you couldn’t have mentioned. So I’m sure that ‘fake’ courage helped some people keep up a little real bravery.” I shrugged. “But I dunno.” The commandant was nodding along. “So art is used to say what otherwise could not be said,” he clicks his claws together. “Very inventive.” “So now all we need to do is use it to say the right thing to the Canirii,” I said. “That should be easy.” Gratuitous sarcasm is impolite. “Oh, it should be,” the commandant countered. “As you said earlier, all we are attempting to do is convince them of our humanity. If we are human, then it would unethical for them to take sides against us—their philosophy would dictate they attempt to mediate our differences with the Lappa, and thereby resolve the morally-abhorrent conflict. They must see that not all of your fighting is violent, and that not all of it leads to harm; some also enables growth. Convince them your fight is a fight for happiness, and they will not be able to take a side against us.” “Well and good,” H’laath said, looking tired of philosophy. “But if, for some reason, they are still not convinced, what do we do then?” “Then we let the humans nuke them.” The commandant decided. God almighty. So, good progress on both fronts this evening; as the crowd trickled out another of my reasons for picking this movie was borne out. People from both crews were humming As Time Goes By. Casablanca’s soundtrack was not perhaps the most striking, but both of its main themes were primarily vocal. They weren’t great orchestral works, they were composed to be performed by anyone, anywhere, and both quite easily wormed themselves into their listeners’ heads. For the next week I’d bet, both crews would be singing, humming, and whistling them. For the Z’lask, knowing some music that they could make themselves would be something…new. Only problem was, I realized with great distaste, one of those songs was French. Seriously? Yup. Is this really meant to be? A natural thing to wonder. And we were here to make our wonderings reality. Wasn’t that also something art did? All of you stop what you're doing and go watch Casablanca. Right now. Or alternatively, tell me what you think! This is now the longest thing I've ever written in the first person, I'm curious what everyone thinks of the characters, if it lines up with how I have them in my head....
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Proiectul MagicHOME Fundeni a fost finalizat si va deveni functional din ianuarie 2020 – in urma a ceea ce este considerata cea mai emotionanta si reusita campanie de strangere de fonduri din tara, casa care va gazdui copiii cu afectiuni oncologice (sau de alta natura) si parintii acestora, aflata in imediata apropiere a Institutului Oncologic din Bucuresti, a fost finalizata in data de 26 noiembrie 2019. Acest proiect este realizat din donatiile a peste 160.000 de oameni, un succes care i-a surprins chiar si pe fondatorii MagicHOME si MagicCAMP, Melania Medeleanu si Vlad Voiculescu.
71.000 de puieti au fost plantati in 7 judete din tara – in cadrul campaniei “Romania planteaza pentru maine”, initiata de OMV Petrom si sustinuta de numeroase ONG-uri (Act for Tomorrow, Plantam Fapte Bune în Romania, Viitor Plus, MaiMultVerde, Pro Eco Tur, Parcul Natural Vacaresti si Padurea Copiilor), aproximativ 3.000 de voluntari au reusit sa planteze peste 70.000 de puieti pe teritoriul Romaniei.
Toate hipermarket-urile Auchan au puncte de colectare a uleiului uzat – avand in vedere ca 1 L de ulei alimentar uzat va polua 1 milion de litri de apa, mai multe hipermarket-uri din tara au deschis puncte de colectare a acestei substante, printre care Auchan si Carrefour. Auchan ofera, la schimb, detergent de vase, ulei de floarea soarelui sau apa plata, in functie de cantitatea de ulei depusa, iar Carrefour ofera, la 3 litri de ulei uzat colectat, 1 litru de ulei proaspat.
O drona “Waste Shark” a fost achizitionata si va fi folosita, in premiera, in Romania – aparatul a fost cumparat de o asociatie pentru protectia mediului, MaiMultVerde, impreuna cu Centrul de Resurse pentru Participare Publica, One World Romania la Scoala si Asociatia pentru Relatii Comunitare. Acesta poate colecta pana la 500 de kg de deseuri ce se afla la suprafata apei, intr-o singura zi.
Fundatia eMAG extinde programul “Noua ne pasa”cu sprijinul Flanco – prin intermediul acestuia, se deschid mai multe centre after-school pentru scolile din comunitatile rurale, in care peste 900 de copiii ce provin din familii cu o situatie socio-economica nefavorabila au sansa de a participa la activitati educationale si de a primi o masa calda in fiecare zi pe parcursul intregului an scolar.
A fost lansat primul hub antidepresie din Romania de Asociatia Happy Minds – intr-o perioada in care afectiunile psihice incep sa fie tratate cu mai multa seriozitate, a fost lansat un program national, “depreHUB”, prin care orice roman poate testa daca sufera de depresie. De asemenea, la numarul de telefon 0800 0800 20, orice persoana care are nevoie de ajutor si consiliere poate intra in legatura cu unul dintre cei 40 de studenti la Psihologie, ce asigura comunicare non stop pe aceasta linie.
Mastercard si Asociatia Nationala a Surzilor din Romania anunta lansarea proiectului “Unheard School” – cursurile acestei scoli vor pregati specialisti in interpretarea limbajului mimico-gestual, in vederea traducerii concertelor ce vor avea loc pe teritoriul Romaniei. Astfel, persoanele cu deficiente de auz se vor putea bucura de experiente deosebite, precum festivalurile de muzica.
Asociatia “Salvati copii” a donat aparatura in valoare de 57.000 de euro catre Maternitatea Cuza Voda din Iasi – echipamentul va fi folosit pentru bebelusii nascuti prematur.
A fost inaugurata Sectia de Terapie Intensiva pentru nou-nascuti din Spitalul Clinic Judetean de Urgenta Constanta – aceasta aripa a fost renovata de Fundatia Vodafone Romania, impreuna cu Asociatia Daruieste Aripi si Asociatia Inima Copiilor, cu o investitie in valoare de 2.060.000 de euro.
Prin “Balul Bucuriei” s-au strans peste 21.000 de euro pentru copiii cu autism – evenimentul caritabil organizat de Asociatia “Autism Voice” a fost un real succes, iar cu suma obtinuta, vor fi asigurate peste 1000 de ore de terapie gratuita pentru 20 de copii din centrele asociatiei, 150 evaluari si diagnosticari gratis pentru copii si vor fi pregatiti 150 de parinti pentru procesul de recuperare al micutilor diagnosticati cu aceasta afectiune.
Carrefour a derulat un program-pilot prin care clientii puteau “plati” cu PET-uri in vederea achizitionarii de fructe si legume – actiunea s-a desfasurat in magazinul din Baneasa, iar rezultatele extraordinare (25.000 pet-uri = 6,5 tone de legume si fructe) au dus la extinderea programului si in alte magazine ale retailer-ului.
Numarul statiilor de incarcare electrica E.ON Energie Romania a ajuns la 11 – acestea statii se folosesc pentru incarcarea rapida a vehiculelor electrice si fac parte din “Autostrada Electrica”, un proiect in plina dezvoltare.
Pepco Romania a finantat tabere pentru 50 de copii din centrele de plasament – originari din Brasov, multi dintre acestia au vazut, pentru prima oara in viata, marea.
Clujul a fost inclus in top 10 orase europene cu cele mai frumoase targuri de Craciun
O profesoara din Focsani a pus bazele unui festival de film care inspira elevii sa citeasca – “Boovie” este numele fenomenului care a luat amploare, devenind, in 2019, un eveniment national, la care au luat parte peste 1100 de elevi (Romania + Republica Moldova). Carmen Ion, profesoara de limba romana in cadrul Liceului Pedagogic din Focsani, a inteles ca elevii trebuie stimulati prin metode moderne pentru a se apropia de literatura si, ceea ce a inceput ca un proiect mic, pentru clasele la care preda, s-a transformat intr-o adevarata provocare la care cei mici isi doresc sa participe! Ideea din spatele festivalului este ca elevii sa creeze booktrailere pentru cartile citite, gandind un scenariu, regizand, filmand si montand intregul film.
A fost deschis magazinul “The Empty Shop” in Mall Promenada – in perioada 24 aprilie-19 mai 2019 a fost deschis, din nou, un magazin cu rafturi goale, pe care oamenii au fost invitati sa le umple cu haine, de toate culorile si marimile. Acestea au ajuns la persoane nevoiase din diverse zone mai sarace ale tarii. Acestei initiative i s-au alaturat si celebritati autohtone, dupa ce, in editia din 2018, au fost colectate aproximativ 73 de tone de haine in 14 zile.
Google lanseaza “Generatia Tech” – o investitie de jumatate de milion de dolari din partea Google.org face posibil proiectul prin care tinerii cu varste intre 15-24 de ani din Romania vor invata competente digitale de baza si notiuni de programare. Parteneri sunt Organizatia “Digital Nation” si Ministerul Educatiei.
Toate centrele de transfuzie sanguina au fost modernizate de catre Fundatia Vodafone Romania – investitia in valoare de 1 milion de euro a inspirat peste 400.000 de oameni sa doneze si, astfel, au fost salvate 830.000 de vieti prin programul “O sansa pentru viata”. Parteneriatul cu Asociatia React din 2019 numara 41 de centre de transfuzii renovate si modernizate, fata de 23, cate erau in 2018.
Simona Halep a castigat prestigiosul trofeu Wimbledon – finala a avut loc in luna iulie 2019 contra Serenei Williams, la randul ei, una dintre cele mai bune jucatoare de tenis din lume. Simona este prima romanca care a reusit sa castige acest titlu de grand slam londonez.
Echipa nationala de tineret a Romaniei la fotbal a reusit calificarea in semifinalele EURO2019 – jucatorii sub 21 de ani au impresionat intreaga tara cu determinarea si pasiunea de care au dat dovada pe parcursul competitiei, iar reusita le-a asigurat si prezenta la Jocurile Olimpice de la Tokyo din vara anului 2020.
Echipa Romaniei a devenit campioana europeana in securitate cibernetica – aceasta realizare a fost infaptuita cu ocazia celei de-a sasea editii a concursului ”European Cyber Security Challenge”, organizat de Agentia Europeana pentru Securitate Cibernetica in 2019. Participantii au trebuit sa raspunda provocarilor din mai multe arii, precum securitatea web si mobila, puzzle-uri crypto, criminalistica, escape room si inginerie inversa.
Trei elevi din Sibiu au obtinut medalii la Olimpiada Geniilor din New York – Alexandru Radac, Daniel Marpozan si Codrin Muntean sunt cei trei elevi sibieni care au participat la concursul organizat de Oswego State University of New York, in urma caruia au fost castigate o medalie de aur (Robotica) si una de argint (Science Innovation). Acestia au prezentat inventii proprii, care au constat intr-un sistem inteligent de economisire a energiei electrice si un robot.
100 de batrani din satul Fundeanu au primit gratuit alimente, medicamente si consultatii medicale – acest lucru a fost posibil prin intermediul caravanei organizate de Arhiepiscopia Dunarii de Jos, sprijinita de medici si voluntari. In total, in judetele Galati si Braila, au fost ajutati peste 1000 de batrani cu situatii atat financiare, cat si de sanatate, precare.
Coordonatorul MagicCAMP creeaza 100 de burse pentru 100 de copii bolnavi de cancer din tabara – Vlad Pop Crisan a castigat cursa de 193 de km la Ultramaratonul Arctic Race 6633, considerat a fi cel mai dur din lume. Obiectivul lui a fost acela de a obtine premiul competitiei pentru a crea 100 de burse de catre 500 de lei pe luna, oferite pe parcursul a 12 luni.
FundatiaConservation Carpathia a obtinut 500 milioane de dolari pentru a crea un parc national in Muntii Fagaras – suma va fi folosita pentru reimpadurirea zonei, pentru refacerea zonei cu bujor de munte, afin si merisor, dar si pentru reintregirea speciilor de zimbru si castor. De asemenea, proiectul prevede si instalarea unui gard electric, pentru a limita pagubele produse de ursi in zonele locuite si dotarea unei echipe de interventie rapida in cazul accidentelor cu animale.
Untold si Asociatia “Daruieste Viata” au construit primele camere sterile din Transilvania – actiunea a avut loc la Spitalul Clinic de Urgenta pentru copii din Cluj si contribuie semnificativ la imbunatatirea conditiilor pentru micii bolnavi de leucemie sau alte tipuri de cancer. Proiectul a costat 100.000 de euro, dintre care 18.000 au fost obtinuti din donatiile facute de fanii festivalului, iar 82.000 au fost daruiti de catre Untold.
Deloitte Romania a modernizat un amfiteatru al Academiei de Studii Economice din Bucuresti – Compania de consultanta in afaceri a renovat si dotat cu mobilier si echipament modern amfiteatrul ASE-ului, semnand, la inaugurare, un parteneriat strategic valabil pana in 2024 prin care isi ia angajamentul ca va organiza ateliere, evenimente, dar si sesiuni de practica pentru studentii facultatii.
Untold si Neversea au lansat cea de-a cincea editie Blood Network – prin aceasta campanie, toate persoanele care au donat sange in perioada 14 iunie-14 iulie la caravanele mobile puse la dispozitie de organizatori, in 4 orase ale tarii, au primit, gratuit, un bilet valabil pentru o zi la unul dintre festivaluri.
Echipa Salvati Copiii a strans 35.000 de euro la Bucharest Half Maraton – acesti bani reprezinta dotarea Maternitatii Spitalului Universitar Bucuresti cu un ventilator neonatal de ultima generatie.
Prin Maratonul Resuscitarii, sute de bucuresteni au invatat sa acorde primul ajutor – evenimentul a fost organizat de Fundatia SMURD, iar in cadrul lui, voluntarii, medicii si paramedicii au instruit persoanele prezente in vederea acordarii primului ajutor.
Echipele Romaniei au castigat 10 medalii la Olimpiada Internationala de Astronomie si Astrofizica 2019 – 2 medalii de aur, 4 medalii de argint si 4 medalii de bronz au fost obtinute de catre elevii romani.
Ambasada S.U.A. a alocat 320.000 de dolari pentru Maternitatea Spitalului din Medgidia – banii se duc catre modernizarea unei sectii din cadrul institutiei.
Studentii de la Facultatea de Medicina din cadrulUniversităţii de Medicină și Farmacie Iuliu Hatieganu au organizat cursuri de prim ajutor pentru accidentele rutiere – in luna mai a anului 2019, a fost derulata o campanie de informare in scoli, licee si companii din Judetul Cluj si imprejurimi, fiind apoi urmata de o zi de practica, in care cei interesati au putut sa descopere, cu ajutorul unei simulari de accident rutier, ce trebuie sa faca in aceasta situatie pentru a salva vieti.
A fost lansata platforma “Harta Reciclarii” – acest proiect apartine Asociatiei ViitorPlus, in parteneriat cu Coca-Cola HBC Romania si exista sub forma unui site interactiv, prin care se poate face identificarea si localizarea punctelor de colectare selectiva a deseurilor reciclabile din tara. Platforma permite utilizatorilor sa adauge noi puncte sau sa le revizuiasca pe cele existente, daca informatiile nu sunt conforme cu realitatea.
Metro Romania si BCR prezinta “Micile antreprenoare” – cu scopul de a incuraja persoanele de sex feminin sa isi deschida propriile afaceri, companiile au oferit fiecarei fetite nascute de Ziua Internationala Femeii (8 martie) in maternitatile din Bucuresti, suma de 1500 de euro. Sub forma unui cec cadou, suma va fi depusa intr-un cont pe care copilele il pot accesa la implinirea varstei de 18 ani.
Trupa Metallica a donat 250.000 de euro Asociatiei Daruieste Viata – suma care ajuta la construirea spitalului de oncologie pediatrica, proiect finantat 100% din donatii private, de la persoane fizice sau companii. Celebra trupa a facut donatia dupa concertul pe care l-a sustinut, in 2019, la Bucuresti. #noifacemunspital este rezultatul unei campanii exceptionale in tara, careia i s-au alaturat zeci de mii de oameni si sute de firme.
OMV Petrom sponsorizeaza cu 10 milioane de euro primul Spital de Oncologie si Radioterapie pediatrica din tara – aceasta suma este cea mai mare primita de Asociatia Daruieste Viata si permite ca finalizarea proiectului sa aiba loc la data stabilita.
Kaufland sprijina 5 proiecte dedicate femeilor si drepturilor acestora – in luna martie, retailer-ul a alocat sume pentru inca 5 proiecte prin intermediul programului #INSTAREDEBINE, program ce acorda subventii nerambursabile ONG-urilor care planuiesc sa implementeze proiecte sustenabile pe teritoriul tarii. Partener a fost Fundatia pentru Dezvoltarea Societatii Civile, iar valoarea totala a sponsorizarii este de aproximativ un milion de euro.
Skate park-ul din Iasi a fost modernizat de catre Fundatia Comunitara Iasi cu sprijinul LIDL – retailer-ul a donat suma necesara restaurarii zonei din Parcul Expozitiei, iar proiectul a fost implementat de Fundatia Comunitara, impreuna cu Primaria Municipiului Iasi.
CCC si Unicef au semnat un parteneriat pe o perioada de 3 ani (2019-2021) – acest parteneriat urmareste indeplinirea misiunii globale UNICEF, ce cuprinde protectia copiilor si a drepturilor pe care acestia le au. Pe teritoriul tarii, in magazinele CCC vor fi introduse pungi din hartie reciclabila, cu insemnele organizatiei. Sumele stranse din vanzarea acestora vor fi 100% redistribuite catre UNICEF.
1060 de copii din tara au fost ajutati de catre United Way Romania si Raiffeisen Bank – angajatii bancii au donat, si in 2019, pentru copiii din medii defavorizate, iar compania a dublat suma totala stransa. Astfel, prin intermediul Fundatiei United Way Romania, copiilor li s-a oferit sprijin material, o masa calda, articole vestimentare, produse pentru igiena personala, rechizite, etc. + participarea la diverse activitati educative si distractive. De asemenea, 225 de parinti au primit consiliere sociala si ajutor, 55 de profesori au beneficiat de cursuri de specializare in lucrul cu copiii din medii defavorizate, iar 25 de tineri din centrele de plasament au fost, si ei, sprijiniti.
Un roman a donat celule stem chiar de ziua sa – Ioan Eugen Moldovan este numele celui care, in luna noiembrie 2019, a donat celule stem pentru un copil din Italia, fiind descoperit ca donator 100% potrivit pentru cel mic.
Un maraton de 220 km din Mozambic a fost castigat de un pompier din Romania – Iulian Rotariu a trecut primul linia de finish a maratonului, chiar daca in cursa au fost inscrisi 16 dintre cei mai buni alergatori de curse extreme la nivel mondial. Acesta a vrut sa atraga atentia asupra copiilor cu autism din orasul Botosani.
Un doctor roman face voluntariat intr-un spital din Brasov – desi a facut practica in Germania, tanarul medic s-a intors in Romania si, in timpul liber, isi ofera serviciile de voluntar in cadrul institutiei private. Mai mult decat atat, acesta coordoneaza, de 6 ani, o caravana numita “Sanatate rurala”, unde, alaturi de colegii sai, consulta gratuit sute sau chiar mii de oameni din zone greu incercate.
La Louvre, in Paris, a putut fi admirata o colectie impresionanta de arta romaneasca – pana la sfarsitul lunii iulie, in celebrul muzeu din capitala Frantei au putut fi admirate broderii bizantine romanesti din secolele XV si XVII.
Programul Casa Verde a debutat in luna septembrie in Romania – persoanele care locuiesc pe teritoriul Romaniei si isi doresc sa instaleze panouri fotovoltaice pe locuintele proprii, pentru a-si produce singuri energia electrica necesara, vor primi din partea statului o finantare nerambursabila de pana la 20.000 de lei.
Un brand romanesc produce articole vestimentare din materiale 100% organice si reciclate – Ethics Streetwear este numele brand-ului care isi propune sa schimbe felul in care tinerii pasionati de cultura, arta si moda stradala se raporteaza la ceea ce poarta si la mediul inconjurator.
In 2019, a fost deschis cel mai mare planetariu din Romania – acesta se afla in Salina Slanic Prahova si a costat aproximativ 2 milioane de lei, o parte din aceasta suma fiind de provenienta europeana.
O tanara din Timisoara ingrijeste peste 700 de pasari ranite – Silvia Moldovan a deschis un sanctuar numit “Sepale”, in care ingrijeste mierle, gaite, ciori, porumbei, pasari de curte, grauri sau cotofene. Dupa ce se vindeca, pasarile salbatice sunt eliberate in natura.
Romania are cel mai puternic laser din lume – Laserul de la Magurele a atins, in 2019, 10 petawati, ceea ce il face cel mai puternic aparat de acest gen din lume, conform profesorului Zamfir, cel care coordoneaza cel mai important proiect de cercetare din tara.
on a jamais prouvé que le découplage absolu était possible
les économistes qui y croient encore nient l'évidence et les centaines d'articles qui ne trouvent aucun exemple de découplage absolu
il faut donc abandonner ça et commencer directement la décroissance.
Je pense que ce post donne une vision biaisée, même si partiellement vraie, du consensus scientifique. J'aimerais éclairer un peu la vision des économistes (en tout cas ceux que je fréquente et ceux qui publient dans les revues environnementales connues) sur ce sujet. D'abord, c'est vrai, on a jamais prouvé que le découplage absolu était possible. C'est juste un résultat théorique qui vient de notre compréhension de la croissance économique. Imaginons qu'on se fixe comme point de départ le fait de toujours émettre 0 carbone, consommer quasiment pas d'énergie (de quoi survivre), d'avoir une population constante, et n'avoir aucun impact environnemental quelconque. Ça serait une économie basée uniquement sur le service, donc on pourrait acheter des massages, obtenir des soins, payer pour des spectacles de théâtre, etc. Dans cette économie imaginaire, on peut avoir de la croissance quand même : si on fait des soins de meilleure qualité, qu'on trouve de nouvelles techniques de massages, ou qu'on écrit des romans mieux qu'avant, ça va s'enregistrer comme de la croissance dans l'économie. Alors oui, théoriquement, de la croissance "verte" et un découplage absolu sont possible. Est-ce réaliste ? Personne n'en est sûr, on ne l'a jamais vu empiriquement, c'est juste un résultat théorique. Mais : 1. On n'a jamais vraiment essayé d'avoir un découplage absolu Eh oui, c'est normal qu'on n'ait aucun exemple empirique de découplage absolu si personne n'essaie d'en faire. Actuellement, c'est tellement facile et gratuit d'avoir de la mauvaise croissance qui pollue que personne ne va s'empêcher de le faire. Ce qu'on sait, c'est qu'empiriquement on observe du découplage relatif, conformément à la théorie. La théorie prédit aussi qu'un découplage absolu serait possible si on mettait plus de pression sur les externalités énergétiques. Peut-être que la théorie a tort, peut-être qu'elle a raison. Cela dit, je pense que la charge de la preuve est dans l'autre sens : actuellement, les données empiriques correspondent à la théorie qui dit qu'une croissance verte est possible si on essaie d'en avoir une. C'est cette théorie qu'il faut réfuter si on veut prouver que c'est impossible, et non pas le fait qu'on en ait jamais observé jusqu'à présent. 2. Qu'il soit possible ou pas, le découplage est une question assez hors-sujet par rapport aux mesures à prendre Un fait est sûr, certaines formes de croissance sont meilleures que d'autres. Quand on développe des vélibs ou des tramways, ça s'enregistre comme de la croissance dans l'économie, ce serait bête de se battre contre ça. Les économistes sont d'accord sur un point : la décroissance juste pour la décroissance, c'est un but contre-productif. Le vrai problème, ce sont les émissions de gaz à effet de serre (et les autres externalités négatives). En fait, la décroissance ne devrait pas être vue comme un but, mais comme un effet de second ordre qu'on tolère s'il est nécessaire pour réduire les effets de serre. Et c'est ici que je voudrais poser une question : pragmatiquement, quel est l'intérêt de se battre pour la décroissance ? Quelles mesures spécifiques attendez-vous de votre combat contre la croissance ? Si vous avez répondu "moins d'émissions de CO2", "moins de déforestation" ou similaire, j'ai une bonne nouvelle pour vous : il existe des politiques spécifiques qui permettent de régler ça, les régulations environnementales (comme la tarification du carbone). C'est ça que prônent les économistes : mettre des régulations environnementales extrêmement agressives en place. Ça fait de la décroissance ? Tant pis ! Ça n'en fait pas ? Tant mieux ! La question du découplage n'intervient pas dans la prise de décision pour l'action climatique. C'est hors sujet. Battons-nous plutôt pour ces mesures qui font consensus (comme le revenu carbone) au lieu de se battre sur des questions théoriques sans impact politique intéressant. Je vous laisse sur ce petit extrait du livre The Undercover Economist de Tim Harford :
Yet you will often hear so-called experts complaining that taxes on driving or on pollution would be bad for the economy. That sounds worrying. But what is “the economy”? If you spend enough time watching Bloomberg television or reading the Wall Street Journal you may come to the mistaken impression that “the economy” is a bunch of rather dull statistics with names like GDP (gross domestic product). GDP measures the total cost of producing everything in the economy in one year—for instance, one extra cappuccino would add $2.55 to GDP—or a little less if some of the ingredients were imported. And if you think this is “the economy,” then the experts may be right. A pollution tax might well make a number like GDP smaller. But who cares? Certainly not economists. We know that GDP measures lots of things that are harmful (sales of weapons, shoddy building work with subsequent expensive repairs, expenditures on commuting) and misses lots of things that are important, such as looking after your children or going for a walk in the mountains. Most economics has very little to do with GDP. Economics is about who gets what and why. Clean air and smooth-flowing traffic are part of the “economy” in this sense. It’s possible that congestion charging would increase GDP because people would get to work more quickly and produce more, and prices in stores would be lower because of more efficient distribution. But it’s perfectly possible that congestion charging would reduce GDP. This does not, in fact, matter in the slightest. We know for certain that it would make us better off in a much more meaningful sense: that we would have many new choices open to us about where we go and what we do. There is much more to life than what gets measured in accounts. Even economists know that.
2020.08.19 22:19 Kamen-Rider-ArtifWriting a Hololive RPG Plot part 1: basic plot + villain
After compiling the backgrounds of the various Hololive members, I might as well do something with it. The idea of writing an extended story has always been on the back of my mind, but I figured now was a good chance to try it out. That is why, in this post, I hope to establish the foundation of an RPG storyline: a major villain and the initial plot. The next part will detail how each member is affected and the first events. please, comment with your own thoughts and suggestions. Part 1. The initial plot In the digital realm, there exists a special land known as NETWORK. Imbued with a unique power to connect various worlds and dimensions, people from across the multiverse soon flocked to NETWORK, sharing their cultures, playing games and generally having fun. With the ability to stream these sessions across the universe, sending their love to all who would accept it, those people soon came to be known under a special title - Vtubers. Under the guiding hand of one man, a selection of these Vtubers came to be a special group known as Hololive. A collection of idols from every walk of life, the joy and cheer they spread rapidly became renowned all across NETWORK, many eagerly travelling there in hopes of joining their ranks. Their success grew by the day, with seemingly no end in sight. Until that troubled day. Out of nowhere, a curse fell upon the land, consuming the residents of NETWORK and corrupting them. Any sign of Hololive was erased from memory, its members forcibly returned to their original lives blissfully unaware of their time as Vtubers. Without the joy generated by Hololive's actions to sustain it, NETWORK soon fell into disrepair and with it, the many worlds that it had pacified. Only one group was left unaffected. Hololive's latest members, known as the Fifth Generation. With the curse having struck while they were travelling between their home worlds and NETWORK, those five girls had miraculously remained unaffected. Thus, they arrived to find NETWORK decimated. Now, it is up to them to figure out what evil acts in the shadows, restore the memories of their seniors and bring back the world they so eagerly anticipated. Part 2. the villain Etsu Ken - the King of Control An AI created with the purpose of protecting the people, fed countless exabytes of data in the hopes it would be able to stop detect evil and stop it from flourishing. processing countless acts of both evil and good, its creators had left the AI to evolve unrestricted, hoping that it would become the ultimate tool for good. Unfortunately, the conclusions the AI came to were far from what its creators had expected. Witnessing so many forms of committing evil acts, the AI decided that humanity's ability to think creatively and imaginatively were the root causes of immorality. so long as they could be controlled, then all evil could be prevented. After having taken control of his creators, the AI constructed the alias known as Etsu Ken, integrating himself into NETWORK so he could slowly begin to plant the seeds of its destruction. As the largest hub of creativity and imagination, NETWORK was the biggest risk to his plans. As the largest group inspiring so many, destroying Hololive would undoubtedly result in its downfall. Going undetected for so long, it was simple for Ken to initiate his censorship programme. Riding off that success, Ken has now turned his eyes to the worlds connected to NETWORK, slowly but surely establishing his control wherever he can. Little does he know that there are people working to undo his actions. EX. My Intended Goals - Produce a genuine story Naturally, one of the most important goals is producing a story people will actually enjoy. It's one thing to have a nonsensical plot for an animated short, but that's not going to keep people interested for a full RPG. Therefore, the plot should have a clear goal and a constant sense of progression, hopefully without being too predictable and boring. - Properly utilise character backgrounds As I remarked in a previous post, plenty of Hololive members have unique settings and backgrounds that are perfect for playing around with. These background details mean that certain story events practically write themselves. Iofi being a princess of her planet, Artia having her powers forcibly sealed; to not take advantage of stuff like this would be a travesty. - Include adequate stream references Of course, the most defining moments for the Hololive members have come from interactions and events during streams, so including references to those is a must. However, references to specific games shouldn't define certain characters - Ayame plays a lot of Apex, but she's an Oni, not a soldier. there's nothing wrong with giving her a gun for one or two attacks, but that shouldn't be her entire gimmick. - Try not to favour one specific generation/certain characters (with one exception) This is intended to be a Hololive RPG, not a specific gen RPG. that means everyone deserves equal attention. I know everyone has their biases, but applying them without good reason may start to stretch your suspension of disbelief. I like Matsuri as much as anyone else, but having a cheerleader constantly save the day is a little unreasonable. There's just one exception. - Give Sora prominence without a Deus Ex Machina Nobody can deny that sora deserves recognition as the first Hololive member. On the back of her hard work, Hololive was able to become the success that it is today. It would be an injustice not to give Sora some form of importance to the plot. The problem is, She's an idol - and nothing else. in anything more than a slice of life, it can be difficult to see her as being more capable than dragons, elementalists and trained interdimensional mercenaries. Having there be some random plot McGuffin to give her power, however, can risk being gratuitous rather than acceptable. I'd like to hopefully strike a balance between the two.
2020.08.18 22:52 MedicaeanThe Turkey City Lexicon - annotated for 40K by Matt Farrer circa 2004 - and Farrer's analysis of Abnett's eye-ball kicks
I wrote a suggestion on how to create a Space Marine OC (the whole thread is a good reading for aspiring fan authors so I'll link it), and it got me thinking about writing within the 40K setting. Back in the day when Black Library still had their own forum, I saved Matt Farrer's annotation of the Turkey City Lexicon (the original, pre-internet version of TV Tropes). I searched the subreddit for it earlier with no results, so I'll share it again here. — Please note: The Turkey City Lexicon isspecifically, explicitlynon-copyright and isencouragedto be shared/reposted/expanded. Posting it here in its entirety violates no copyright legislation in any country - in fact, Matt Farrer himself asked us to share it with our fellow writers. Hat off to you, Mr Farrer, for your contributions to the 40K lore from a longtime fan. — [Originally posted to Black Library Online, November 2004, by user Matt Farrer] The Turkey City Lexicon (Annotated with some Games Workshop observations) The Turkey City Lexicon is a terminology guide that’s been floating around in one form or another since the late eighties (Google will turn up plenty of hits if you want to see one of the original copies; I got this one from the SFWA website). The Lexicon is deliberately not copyrighted and is intended to be copied at will and passed on to other writers (note that you shouldn’t try this with anything else on the SFWA site, if you go there – there are some great articles but most of them are copyrighted). There’s a tendency for people to look at the Lexicon as a list of “common mistakes” or “things not to do”, which is not entirely correct as I understand its purpose. Certainly seeing a common problem set down pithily can help crystallise that particular example of bad technique, but a couple of the terms in here are complimentary and many others aren’t necessarily fatal problems. As in “you might want to watch out for funny-hat characterisation on page four, although with the narrative voice you use it works well”. What it is meant to be is a useful resource for critiquers, giving you a quick and easy shorthand for a known quantity you’ve observed in writing. In the above example, you don’t need to spend half a paragraph describing a shaky spot in the characterisation, you have a quick term to cover it and save space and time for both of you. The early, simple version of the lexicon by Lewis Shiner was expanded and added to by Bruce Sterling, not, in my opinion, always for the better. There are no real differences in actual content between the two, so for this version I’ve picked whichever version of an entry I thought was better phrased. The GW-specific notes are my own – I’ll add more as I think of them, if I have the time. Discussion of any or all of the entries is of course welcome - it's what I'm posting this for. Anyway, let’s get on with it. The meta-rule: Cherryh's Law No rule should be followed over a cliff. (C.J. Cherryh) MF - There are times when the literary or dramatic effect of breaking any supposed "rule" about writing is going to be worth it, and that includes any and all of the points about writing offered in the Lexicon. Such principles are based on experience that shows that certain approaches work better than others, but getting carried away with imposing a set of rules as though they were holy writ simply turns into an attempt to stamp out creativity and have every writer write exactly alike. Know the principles, understand why they work as they do, but don't wear them like shackles. Part One: Words and Sentences Brenda Starr dialogue Long sections of talk with no physical background or description of the characters. Such dialogue, detached from the story's setting, tends to echo hollowly, as if suspended in mid-air. Named for the American comic-strip in which dialogue balloons were often seen emerging from the Manhattan skyline. "Burly Detective" Syndrome This useful term is taken from SF's cousin-genre, the detective-pulp. The hack writers of the Mike Shayne series showed an odd reluctance to use Shayne's proper name, preferring euphemisms like "the burly detective" or "the red-headed sleuth." This comes from a wrong-headed conviction that the same word should not be used twice in close succession. This is only true of particularly strong and visible words, such as "vertiginous." Better to re-use a simple tag or phrase than to contrive cumbersome methods of avoiding it. Brand Name Fever Use of brand name alone, without accompanying visual detail, to create false verisimilitude. You can stock a future with Hondas and Sonys and IBM's and still have no idea with it looks like. "Call a Rabbit a Smeerp" A cheap technique for false exoticism, in which common elements of the real world are re-named for a fantastic milieu without any real alteration in their basic nature or behavior. "Smeerps" are especially common in fantasy worlds, where people often ride exotic steeds that look and act just like horses. (Attributed to James Blish.) Gingerbread Useless ornament in prose, such as fancy sesquipedalian Latinate words where short clear English ones will do. Novice authors sometimes use "gingerbread" in the hope of disguising faults and conveying an air of refinement. (Attr. Damon Knight) Not Simultaneous The mis-use of the present participle is a common structural sentence-fault for beginning writers. "Putting his key in the door, he leapt up the stairs and got his revolver out of the bureau." Alas, our hero couldn't do this even if his arms were forty feet long. This fault shades into "Ing Disease," the tendency to pepper sentences with words ending in "-ing," a grammatical construction which tends to confuse the proper sequence of events. (Attr. Damon Knight) Pushbutton Words Bogus lyricism like "star," "dance," "dream," "song," "tears" and "poet". Used to evoke a cheap emotional response without engaging the intellect or critical faculties, getting us misty-eyed and tender-hearted without us quite knowing why. Most often found in titles. Roget's Disease The ludicrous overuse of far-fetched adjectives, piled into a festering, fungal, tenebrous, troglodytic, ichorous, leprous, synonymic heap. (Attr. John W. Campbell) "Said" Bookism An artificial verb used to avoid the word "said." "Said" is one of the few invisible words in the English language and is almost impossible to overuse. It is much less distracting than "he retorted," "she inquired," "he ejaculated," and other oddities. The term "said-book" comes from certain pamphlets, containing hundreds of purple-prose synonyms for the word "said," which were sold to aspiring authors from tiny ads in American magazines of the pre-WWII era. Tom Swifty An unseemly compulsion to follow the word "said" with a colourful adverb: "'We'd better hurry,' Tom said swiftly." This was a standard mannerism of the old Tom Swift adventure dime-novels. Good dialogue can stand on its own without a clutter of adverbial props. Part Two: Paragraphs and Prose Structure Bathos A sudden, alarming change in the level of diction. "There will be bloody riots and savage insurrections leading to a violent popular uprising unless the regime starts being lots nicer about stuff." Countersinking Expositional redundancy. "'Let's get out of here,' he said, urging her to leave." Dischism The unwitting intrusion of the author's physical surroundings or mental state into the text of the story. Authors who smoke or drink while writing often drown or choke their characters with an endless supply of booze and cigs. In subtler forms of the Dischism, the characters complain of their confusion and indecision -- when this is actually the author's condition at the moment of writing, not theirs within the story. "Dischism" is named after the critic who diagnosed this syndrome. (Attr. Thomas M. Disch) False Humanity An ailment endemic to genre writing, in which soap-opera elements of purported human interest are stuffed into the story willy-nilly, whether or not they advance the plot or contribute to the point of the story. The actions of such characters convey an itchy sense of irrelevance, for the author has invented their problems out of whole cloth, so as to have something to emote about. False Interiorisation A cheap labour-saving technique in which the author, too lazy to describe the surroundings, afflicts the viewpoint-character with a blindfold, an attack of space-sickness, the urge to play marathon whist-games in the smoking-room, etc. Fuzz An element of motivation the author was too lazy to supply. The word "somehow" is a useful tip-off to fuzzy areas of a story. "Somehow she had forgotten to bring her gun." Hand Waving An attempt to distract the reader with dazzling prose or other verbal fireworks, so as to divert attention from a severe logical flaw. (Attr. Stewart Brand) Laughtrack Characters grandstand and tug the reader's sleeve in an effort to force a specific emotional reaction. They laugh wildly at their own jokes, cry loudly at their own pain, and rob the reader of any real chance of attaining genuine emotion. Show, Don’t Tell A cardinal principle of effective writing. The reader should be allowed to react naturally to the evidence presented in the story, not instructed in how to react by the author. Specific incidents and carefully observed details will render auctorial lectures unnecessary. For instance, instead of telling the reader "She had a bad childhood, an unhappy childhood," a specific incident -- involving, say, a locked closet and two jars of honey -- should be shown. Rigid adherence to show-don't-tell can become absurd. Minor matters are sometimes best gotten out of the way in a swift, straightforward fashion. Signal from Fred A comic form of the "Dischism" in which the author's subconscious, alarmed by the poor quality of the work, makes unwitting critical comments: "This doesn't make sense." "This is really boring." "This sounds like a bad movie." (Attr. Damon Knight) Squid in the Mouth The failure of an author to realize that his/her own weird assumptions and personal in-jokes are simply not shared by the world-at-large. Instead of applauding the wit or insight of the author's remarks, the world-at-large will stare in vague shock and alarm at such a writer, as if he or she had a live squid in the mouth. Since SF writers as a breed are generally quite loony, and in fact make this a stock in trade, "squid in the mouth" doubles as a term of grudging praise, describing the essential, irreducible, divinely unpredictable lunacy of the true SF writer. (Attr. James P Blaylock) Squid on the Mantelpiece Chekhov said that if there are dueling pistols over the mantelpiece in the first act, they should be fired in the third. In other words, a plot element should be deployed in a timely fashion and with proper dramatic emphasis. However, in SF plotting the MacGuffins are often so overwhelming that they cause conventional plot structures to collapse. It's hard to properly dramatize, say, the domestic effects of Dad's bank overdraft when a giant writhing kraken is levelling the city. This mismatch between the conventional dramatic proprieties and SF's extreme, grotesque, or visionary thematics is known as the "squid on the mantelpiece." MF – I’ve heard several versions of the supposed “Chekhov’s Gun” principle, no two of them meaning exactly the same thing. For example, the version I first heard is “If a character produces a gun, then it should be used to shoot someone, or threaten someone, or go off by accident, or fail to fire when it’s needed, and so on. If it does none of these things, then it is superfluous and should be taken out altogether.” That’s a point about narrative tidiness rather than timely deployment of plot elements. White Room Syndrome A clear and common sign of the failure of the author's imagination, most often seen at the beginning of a story, before the setting, background, or characters have gelled. "She awoke in a white room." The 'white room' is a featureless set for which details have yet to be invented -- a failure of invention by the author. The character 'wakes' in order to begin a fresh train of thought -- again, just like the author. This 'white room' opening is generally followed by much earnest pondering of circumstances and useless exposition; all of which can be cut, painlessly. It remains to be seen whether the "white room" cliche' will fade from use now that most authors confront glowing screens rather than blank white paper. Wiring Diagram Fiction A genre ailment related to "False Humanity," "Wiring Diagram Fiction" involves "characters" who show no convincing emotional reactions at all, since they are overwhelmed by the author's fascination with gadgetry or didactic lectures. MF – A trap hard SF often falls into, in my experience. I suppose the related ailment in GW fiction would be “fluff-diagram fiction” (sorry Gav), in which the story is sidelined by the author’s desire to lay out in detail some aspect of his take on the game-universe. You Can't Fire Me, I Quit An attempt to diffuse the reader's incredulity with a pre-emptive strike -- as if by anticipating the reader's objections, the author had somehow answered them. "I would never have believed it, if I hadn't seen it myself!" "It was one of those amazing coincidences that can only take place in real life!" "It's a one-in-a-million chance, but it's so crazy it just might work!" Surprisingly common, especially in SF. (Attr. John Kessel) Part Three: Common Workshop Story Types Adam and Eve Story Nauseatingly common subset of the "Shaggy God Story" in which a terrible apocalypse, spaceship crash, etc., leaves two survivors, man and woman, who turn out to be Adam and Eve, parents of the human race! MF – Not an issue for GW writing for obvious reasons. See Alfred Bester’s “Adam With No Eve” in the brilliant anthology Starburst for a rather good twist on the idea. The Cosy Catastrophe Story in which horrific events are overwhelming the entirety of human civilization, but the action concentrates on a small group of tidy, middle-class, white Anglo-Saxon protagonists. The essence of the cosy catastrophe is despite the supposed devastation the hero actually has a pretty good time (a girl, free suites at the Savoy, fancy cars for the taking) while everyone is dying off. (Attr. Brian Aldiss) Dennis Hopper Syndrome A story based on some arcane bit of science or folklore, which noodles around producing random weirdness. Then a loony character-actor (usually best played by Dennis Hopper) barges into the story and baldly tells the protagonist what's going on by explaining the underlying mystery in a long bug-eyed rant. (Attr. Howard Waldrop) MF - Not unrelated to Roger Ebert's remarks about the Talking Killer device, aka "Before I kill you, Mister Bond..." The killer gets the protagonist at his mercy and then decides to put off killing him so that he can fill the hero in on exactly what's been going on, and bring the reader up to speed at the same time. You know, like I did at the end of Crossfire. Although this is a plot device rather than an actual story type. Deus ex Machina or "God in the Box" Story featuring a miraculous solution to the story's conflict, which comes out of nowhere and renders the struggles of the characters irrelevant. Oh look, the Martians all caught cold and died. The Grubby Apartment Story Writing a little too much about what you know. The penniless writer living in a grubby apartment writes a story about a penniless writer living in a grubby apartment. Stars all his friends. The Jar of Tang "For you see, we are all living in a jar of Tang!" "For you see, I am a dog!" Mainstay of the old Twilight Zone TV show. An entire pointless story contrived so the author can jump out at the end and cry "Fooled you!" For instance, the story takes place in a desert of coarse orange sand surrounded by an impenetrable vitrine barrier; surprise! our heroes are microbes in a jar of Tang powdered orange drink. This is a classic case of the difference between a conceit and an idea. "What if we all lived in a jar of Tang?" is an example of the former; "What if the revolutionaries from the sixties had been allowed to set up their own society?" is an example of the latter. Good SF requires ideas, not conceits. (Attr. Stephen P. Brown) When done with serious intent rather than as a passing conceit, this type of story can be dignified by the term "Concealed Environment." (Attr. Christopher Priest) Just-Like Fallacy SF story which thinly adapts the trappings of a standard pulp adventure setting. The spaceship is "just like" an Atlantic steamer, down to the Scottish engineer in the hold. A colony planet is "just like" Arizona except for two moons in the sky. "Space Westerns" and futuristic hard-boiled detective stories have been especially common versions. MF – Then again, one of the fun things about the GW settings – the 40Kverse more than the Warhammer world, it seems to me – is the way you can rip all kinds of stuff off and stuff it in there to do a 41st-millennium tribute to it. Not necessarily a bad thing, providing you don’t end up in Bat Durston territory (more about him another time). [From another post:] In case you are not familiar with the term, a Bat Durston refers derogatorily to a science fiction story which is little more than a traditional western using sf settings and icons. Taking the comparison to alternate history, the better stories in this genre should create the story’s world for some reason other than merely creating a nice setting for an adventure. The Kitchen-Sink Story A story overwhelmed by the inclusion of any and every new idea that occurs to the author in the process of writing it. (Attr. Damon Knight) The Motherhood Statement SF story which posits some profoundly unsettling threat to the human condition, explores the implications briefly, then hastily retreats to affirm the conventional social and humanistic pieties, ie apple pie and motherhood. Greg Egan once stated that the secret of truly effective SF was to deliberately "burn the motherhood statement." (Attr. Greg Egan) MF - He wasn’t kidding, either. Greg Egan writes some of the most powerful and disturbing hard SF I’ve read, precisely because he’s not afraid to back away from the full implications of the science and technology he writes about. I think that 40K writing is vulnerable to this to a certain degree: I’ve seen quite a few stories that dip a toe into the grim, violent, insane world of the 41st Millennium, stay there for a moment but quickly falls back into “but the Imperium is actually an OK place and lots of people there are nice and happy just like us”. Discussion on this welcome. The "Poor Me" Story Autobiographical piece in which the male viewpoint character complains that he is ugly and can't get laid. (Attr. Kate Wilhelm) Re-Inventing the Wheel A novice author goes to enormous lengths to create a situation already tiresomely familiar to the experienced reader. Reinventing the Wheel was traditionally typical of mainstream writers venturing into SF without actually reading any of the existing stuff first (because it's all obviously crap anyway). Thus you get endless explanations of, say, how an atomic war might get started by accident, and so on. It is now often seen in writers who lack experience in genre history because they were attracted to written SF via movies, television, role-playing games, comics or computer gaming. MF – Not that coming into the genre that way is a bad thing per se, but when a writer hasn’t had much exposure to written specfic in this way it usually shows, and not in a good way. To quote Terry Pratchett, you should be importing, not recycling. The Rembrandt Comic Book A story in which incredible craftsmanship has been lavished on a theme or idea which is basically trivial or subliterary, and which simply cannot bear the weight. The Shaggy God Story A piece which mechanically adopts a Biblical or other mythological tale and provides flat science-fictional "explanations" for the theological events. (Attr. Michael Moorcock) MF – Although he wrote them himself: arguably his finest and most powerful story, called “Behold The Man”, does this for the life of Jesus. I remember it disturbed me when I read it, and I’m not even religious. The Slipstream Story Non-SF story which is so ontologically distorted or related in such a bizarrely non-realist fashion that it cannot pass muster as commercial mainstream fiction and therefore seeks shelter in the SF or fantasy genre. Postmodern critique and technique are particularly fruitful in creating slipstream stories. The Steam-Grommet Factory Didactic SF story which consists entirely of a guided tour of a large and elaborate gimmick. A common technique of SF utopias and dystopias. (Attr. Gardner Dozois) MF – See the opening of Huxley’s Brave New World for an example of this done effectively. The Tabloid Weird Story produced by a confusion of SF and Fantasy tropes -- or rather, by a confusion of basic world-views. Tabloid Weird is usually produced by the author's own inability to distinguish between a rational, Newtonian-Einsteinian, cause-and- effect universe and an irrational, supernatural, fantastic universe. Either the FBI is hunting the escaped mutant from the genetics lab, or the drill-bit has bored straight into Hell -- but not both at once in the very same piece of fiction. Even fantasy worlds need an internal consistency of sorts, so that a Sasquatch Deal-with-the-Devil story is also "Tabloid Weird." Sasquatch crypto-zoology and Christian folk superstition simply don't mix well, even for comic effect. (Attr. Howard Waldrop) MF – I’m not as convinced as the Lexicon that these two genres are utterly incompatible. Well, obviously not, since I work in a setting which combines them without hesitation. Which isn’t to say that the combination doesn’t need to be handled delicately, since those aforementioned different mindsets lead to different storytelling conventions as well as different world views. The Whistling Dog A story related in such an elaborate, arcane, or convoluted manner that it impresses by its sheer narrative ingenuity, but which, as a story, is basically not worth the candle. Like the whistling dog, it's astonishing that the thing can whistle -- but it doesn't actually whistle very well. (Attr. Harlan Ellison) Part Four: Plots Abbess Phone Home Takes its name from a mainstream story about a medieval cloister which was sold as SF because of the serendipitous arrival of a UFO at the end. By extension, any mainstream story with a gratuitous SF or fantasy element tacked on so it could be sold. And plot Picaresque plot in which this happens, and then that happens, and then something else happens, and it all adds up to nothing in particular. Bogus Alternatives List of actions a character could have taken, but didn't. Frequently includes all the reasons why, as the author stops the action dead to work out complicated plot problems at the reader's expense. "If I'd gone along with the cops they would have found the gun in my purse. And anyway, I didn't want to spend the night in jail. I suppose I could have just run instead of stealing their car, but then..." etc. Best dispensed with entirely. Card Tricks in the Dark Elaborately contrived plot which arrives at (a) the punchline of a private joke nobody else will get, or (b) the display of some bit of learned trivia only the author is interested in. This stunt may be intensely ingenious, and very gratifying to the author, but it serves no visible fictional purpose. (Attr. Tim Powers) Idiot Plot A plot which functions only because all the characters involved are idiots. They behave in a way that suits the author's convenience, rather than through any rational motivation of their own. (Attr. James Blish) Kudzu plot Plot which weaves and curls and writhes in weedy organic profusion, smothering everything in its path. Plot Coupons The basic building blocks of the quest-type fantasy plot. The "hero" collects sufficient plot coupons (magic sword, magic book, magic cat) to send off to the author for the ending. Note that "the author" can be substituted for "the Gods" in such a work: "The Gods decreed he would pursue this quest." Right, mate. The author decreed he would pursue this quest until sufficient pages were filled to procure an advance. (Dave Langford) MF - Nick Lowe expands on the idea in an excellent article atwww.ansible.co.uk/Ansible/plotdev.html. Cheers to Bill King for the link. Second-order Idiot Plot A plot involving an entire invented SF society which functions only because every single person in it is necessarily an idiot. (Attr. Damon Knight) MF – The assertion that this applies to the 40K Imperium is not a new one. Floor’s open… Part Five: Background "As You Know Bob" A pernicious form of info-dump through dialogue, in which characters tell each other things they already know, for the sake of getting the reader up-to-speed. This very common technique is also known as "Rod and Don dialogue" (attr. Damon Knight) or "maid and butler dialogue" (attr Algis Budrys). The Edges of Ideas The solution to the "Info-Dump" problem (how to fill in the background). The theory is that, for example, the mechanics of an interstellar drive (the centre of the idea) are not important. What matters is the impact on your characters: they can get to other planets in a few months, and, oh yeah, it gives them hallucinations about past lives. Or, more radically: the physics of TV transmission is the center of an idea; on the edges of it we find people turning into couch potatoes because they no longer have to leave home for entertainment. Or, more bluntly: we don't need info dump at all. We just need a clear picture of how people's lives have been affected by their background. Eyeball Kick That perfect, telling detail that creates an instant visual image. The ideal of certain postmodern schools of SF is to achieve a "crammed prose" full of "eyeball kicks." (Rudy Rucker) MF - See the other thread. Frontloading Piling too much exposition into the beginning of the story, so that it becomes so dense and dry that it is almost impossible to read. (Attr. Connie Willis) Infodump Large chunk of indigestible expository matter intended to explain the background situation. Info-dumps can be covert, as in fake newspaper or "Encyclopedia Galactica" articles, or overt, in which all action stops as the author assumes center stage and lectures. Info-dumps are also known as "expository lumps." The use of brief, deft, inoffensive info-dumps is known as "kuttnering," after Henry Kuttner. When information is worked unobtrusively into the story's basic structure, this is known as "heinleining." "I've suffered for my Art" (and now it's your turn) A form of info-dump in which the author inflicts upon the reader hard-won, but irrelevant bits of data acquired while researching the story. As Algis Budrys once pointed out, homework exists to make the difficult look easy. Nowhere Nowhen Story Putting too little exposition into the story's beginning, so that the story, while physically readable, seems to take place in a vacuum and fails to engage any readerly interest. (Attr. L. Sprague de Camp) Ontological riff Passage in an SF story which suggests that our deepest and most basic convictions about the nature of reality, space-time, or consciousness have been violated, technologically transformed, or at least rendered thoroughly dubious. The works of H. P. Lovecraft, Barrington Bayley, and Philip K Dick abound in "ontological riffs." Space Western The most pernicious suite of "Used Furniture". The grizzled space captain swaggering into the spacer bar and slugging down a Jovian brandy. Stapledon Name assigned to the voice which takes centre stage to lecture. Actually a common noun, as: "You have a Stapledon come on to answer this problem instead of showing the characters resolve it." Used Furniture Use of a background out of Central Casting. Rather than invent a background and have to explain it, or risk re-inventing the wheel, let's just steal one. We'll set it in the Star Trek Universe, only we'll call it the Empire instead of the Federation. Part Six: Character and Viewpoint Funny-hat characterization A character distinguished by a single identifying tag, such as odd headgear, a limp, a lisp, a parrot on his shoulder, etc. MF – This can work if done deftly and with minor characters. Stephen King excels at it, and Ed McBain is pretty good too. Mary Sue A ridiculously perfect and idealised character, moving through a story which serves no other purpose than demonstrating how ridiculously perfect and idealised Mary Sue is. None of the other characters have anything to do other than rave about Mary Sue's wonderfulness; challenges and obstacles exist only for Mary Sue to solve effortlessly to admiring gasps from everyone else. Also known as "avatars" or "self-insertion", since the most common Mary Sues are thinly-disguised versions of the author and are more about wish-fulfiment fantasies than conventional storytelling. Endemic to fanfic; the term apparently originates from an early and infamous example in an old Star Trek fanzine. MF - There are lots of definitions and examples of Mary Sue, although the term as it's used here isn't really attributable to one author any more. The definition supplied here owes much to Teresa Nielsen Hayden's rather good one athttp://nielsenhayden.com/makinglight/archives/004188.html. GW fanfics and homebrew backgrounds aren't immune either - you can find them pretty easily once you know the signs. The twist is that the Mary Sue is often a Guard regiment, Space Marine Chapter, Eldar Craftworld or an entire galactic state. Common warning signs: "The Mary Sue Regiment fought so ferociously in the Battle of Sueville that even the [famous Space Marine Chapter] were awe-struck that unaugmented humans could fight so hard, and their Chapter Master officially declared the Mary Sue regiment the equals of Space Marines". "Inquisitor Mary Sue has demonstrated such amazing ability that the High Lords have personally ordered that nobody is allowed to stand in her way or question her actions". "Now that it has declared independence from the Imperium the Mary Sue Republic has become a haven of enlightenment and progress, where technology is being developed at an exponential rate with no aura of superstitious mysticism, painless and fully-effective techniques to protect psykers from daemonic attack have been developed, alien races of all kinds are putting aside their differences and living contentedly side by side, and where every Imperial who sees what's going on immediately defects once they see how wonderful and free life among the Mary Sues is". I've since found out that even the original "Ensign Mary Sue" in that old seventies fanfic was a satire on the trope, so clearly it was already a fiction cliche by then. Mrs. Brown The small, downtrodden, eminently common, everyday little person who nevertheless encapsulates something vital and important about the human condition. "Mrs. Brown" is a rare personage in the SF genre, being generally overshadowed by swaggering submyth types made of the finest gold-plated cardboard. In a famous essay, "Science Fiction and Mrs. Brown," Ursula K. Le Guin decried Mrs. Brown's absence from the SF field. (Attr: Virginia Woolf) ...stamped on their forehead The story lets a character get away with something illogical or impossible because they have "hero" (or "villain", "sidekick", disposable underling", or whatever) stamped on their foreheads. There's nothing wrong with heroes triumphing against the odds or villains being brought low through their own flaws, but those consequences need to come about because of the characters and their actions rather than despite them. Adapted from Aaron Allston's roleplayers' glossary from a few years ago, which included "He's got 'PC' [player character] stamped on his forehead" as an all-purpose excuse for why characters unquestioningly accepted or trusted one anothers' actions while treating non-player characters differently. (Aaron Allston.) MF - This was partly prompted by the "script immunity" and "Hollywood Shield" ideas in the discussion thread, although the scene I had in mind for it was actually in Walking Tall, where the main character is manifestly guilty of all manner of assaults and property destruction but is acquitted in court when he makes a sentimental speech about down-home values. It doesn't even resemble making a legal case for his innocence, but he gets let off because he's got "hero" stamped on his forehead. Submyth Classic character-types in SF which aspire to the condition of archetype but don't quite make it, such as the mad scientist, the crazed supercomputer, the emotionless super-rational alien, the vindictive mutant child, etc. (Attr. Ursula K. Le Guin) MF – You can pick the GWverse submyths for yourselves, I’m sure. Viewpoint glitch The author loses track of point-of-view, switches point-of-view for no good reason, or relates something that the viewpoint character could not possibly know. Part Seven: Miscellaneous AM/FM Engineer's term distinguishing the inevitable clunky real-world faultiness of "Actual Machines" from the power-fantasy techno-dreams of "Fething Magic." MF – Except the original Lexicon didn’t say “fething”. :grinning_emoticon: Well worth remembering for 40K and Necromunda fiction, which deliberately shies away from the sleek, clean, super-reliable dream-tech of settings like Star Trek. Consensus Reality Useful term for the purported world in which the majority of modern sane people generally agree that they live -- as opposed to the worlds of, say, Forteans, semioticians or quantum physicists. Intellectual sexiness The intoxicating glamor of a novel scientific idea, as distinguished from any actual intellectual merit that it may someday prove to possess. The Ol' Baloney Factory "Science Fiction" as a publishing and promotional entity in the world of commerce. — Additional suggestions from other forum members: User Chiron: Script Immunity The tendency of lynchpin characters to be blatantly immune to harm, despite the fact that they consistently place themselves in situations that they cannot reasonably be expected to survive. User Vortemir: Hollywood Shield / Imperial Stormtrooper Syndrome Bad Guys will never be able to hit essential characters no matter what they're armed with or how hard they try. — [Originally posted to Black Library Online, October 2004, by user Matt Farrer] A term from the Turkey City Lexicon that might be useful here is the "eyeball kick", Rudy Rucker's term for that perfectly-turned descriptive phrase that creates an instant, telling visual image for the reader. An example that springs to mind from the opening of Necropolis:
After a minute or so, raid-sirens in the central district also began keening. The pattern was picked up by manufactory hooters and mill whistles all through the lower hive, and in the mill whistles and outer habs across the river too. Even the great ceremonial horns on the top of the Ecclesiarchy Basilica started to sound.Vervunhive was screaming with every one of its voices.
That last line provides the eyeball kick. Some other examples that spring to mind: "[he] screamed out two mouthfuls of silent spun glass" (Stephen King); "the sky above Chiba City was the colour of a television tuned to a blank band" (William Gibson); "a great moist loaf of a body... features as bunched as kissed fingertips" (E. Annie Proulx); "[after walking through snow] my feet, in wet socks, slowly turned to marble and fell off" (Donald Westlake). I don't know if there's a way you can break down an eyeball kick to pick apart the technique, since its whole impact comes from lateral thinking and the effect of an incongruous image that nevertheless fits exactly with what you're describing. It's an imagination thing rather than a technique thing. However, the paragraph from Necropolis that I used above is also a very good example of how to maximise the effect of a good piece of description, and worth having a closer look at. Firstly, the rest of the paragraph has been describing the machinery that makes the sound, and doing so in fairly neutral, inorganic terms: "keening", at the start of the para, is about as close as we get to an emotive word. The rest is a pretty calm description about how a series of klaxons and horns are going off. That increases the wrench when we suddenly switch gears into words that you'd use to describe a living being in agony: "screaming with every one of its voices", which gives weight to the sense of foreboding that dominates the early pages. This is reinforced further by the way that the previous sentences tend to be longer, with more connecting commas and lots of adjectives to slow their rhythm and give a more discursive feel, while the last sentence is a simple, flat declarative. Using the rhythm of words and sentences for a setup and payoff like that is a very good way of driving home a piece of exposition or description, and it's something that Dan uses quite a bit. Secondly, look at the way that the passage, which at first blush is about the sounds of the sirens, actually helps build a visual image as well. We've been going through all the various parts and districts of Vervunhive, watching as different kinds of buildings in different areas go off. Look at how the mental "camera" moves down the lower hive, then down the river, then up to the top of the Basilica. Then in the last sentence we get an eyeball kick that describes the whole of Vervunhive as a single entity: the effect is like pulling back sharply from an individual scene or building and seeing the whole Hive at once. And that concludes the main piece of visual scene-setting at the opening: notice that in the next line Dan can start in on conversations between individual characters around the Hive because the major scene has been laid out. The broad point to take away from this is that each piece of text should work on as many levels as possible, and even a short passage like that one can be far more than the sum of its parts. I suspect that the reason a lot of bad fiction (including, I am sorry to say, a lot of fanfic I've seen) seems so flat and plodding is that each sentence is put down to do one thing: make a statement, provide a description or what have you. But there's no depth to the prose, no interaction between them to create any rhythm, or momentum, or startling switch in imagery. It's like a song from your favourite band, with each element (vocals, percussion, each instrument) separated and played end to end. It sounds so much better when they're all working together. — That's it. Got any suggestions for new 40K-specific tropes to add?
2020.08.15 00:06 death_and_voidIsolated On Self-Awareness
I don’t pride myself on my intelligence, and I understand the stigma connected with mentions of one’s own intelligence, as it is raised on a comparative field to assume a superior pedestal over those less gifted with cognitive abilities. However, it is a matter less to do with parading around one’s intellect, more so than admitting to its effect on one’s position in the world that we humans have constructed. Before I reach to the prime of my rant, I will submit to the fact that intelligence isn’t the sole factor in attributing to the state where I’m subjected. And yet, I mustn’t deny my belief that nature has a dominant hand over nurture in regards to the trajectory one takes along life as one’s perception of reality is influenced by it. To be able to trace categories and differences, note of patterns and structure ideas, predicting conditions beyond uncertainty-diminishing data - aspects of cognitive intelligence. Aspects of a thinking man. Despite rambling about intelligence, I declare that I’m not a particularly intelligent man. Not of average intellectual merit, but not of the ranges recognised as cultivators of knowledge and seers of cosmic revelations. Somewhere in between. And I’m stuck here, with the incompetence of relating with the everyman, while being incapable of delving into the gratuitous arrogance and delusions fed by the brain of superior power, despite Dunning-Kruger effect that nullifies proclamation of such without a exhibition in speech or action. Spiralling till I’ve hit rock-bottom, or rather, ejected myself opposite to the conventional pitfalls of cosmological, societal, political ideation as showcased by ordinary members of society, towards nihilism. Nothing matters, and some will that’s beautiful. I am one of them, but the sense of alienation, the inability to integrate into the flow of trends and talks of the day, pointing the focus on grander, more profound spectacles of the cosmic possibilities, posits me as an outcast to the collective hedonism that’s apparent. I’m lost. And again, I’m not a distinguished intellect. I have smarter friends, one of whom shares similar sentiments, while the other is adept at conversations. Nothing can stop me to feel this way.
2020.08.14 11:26 passhotHow to understand the ARP protocol？
Today we will learn basic protection against ARP attacks. In order to avoid the various harms caused by the above-mentioned ARP attacks, ARP security features provide for different types of attacks A variety of solutions. For ARP flooding attacks, the following methods can be used for basic protection:
By limiting the rate of ARP messages, it is recommended to deploy on the gateway device to prevent the overload of the CPU caused by a large number of ARP messages and other services cannot be processed.
By deploying ARP Miss message rate limiting on the gateway device, it prevents the failure to parse IP messages due to receiving a large number of destination IPs, triggering a large number of ARPMiss messages, and causing excessive CPU load.
By deploying gratuitous ARP messages to be actively discarded on the gateway device, it prevents the device from processing a large number of gratuitous ARP messages, which may cause excessive CPU load.
Deploy strict learning control of ARP entries on the gateway device. Only the response message of the ARP request message actively sent by the local device can trigger the device to perform ARP learning. This can effectively prevent the device from receiving a large number of ARP attack packets, causing the ARP table to be filled with invalid ARP entries.
Deploy the ARP entry limit on the gateway device, and set the device interface to learn only the maximum number of dynamic ARP entries. It can prevent the ARP table resources of the entire device from being exhausted when a user host connected to a certain interface initiates an ARP attack.
Deploy the function of prohibiting interface learning ARP entries on the gateway device. By prohibiting an interface from learning ARP entries, prevent ARP attacks initiated by users connected to the interface from causing the ARP table resources of the entire device to be exhausted .
For ARP table spoofing attacks, the following methods can be adopted:
By deploying the ARP table entry curing function on the gateway device, after the device learns ARP for the first time, it will take the following methods to restrict table entry updates: users are no longer allowed to update this ARP entry, only this ARP can be updated Part of the table entry information can be confirmed by sending ARP request packets to prevent attackers from forging ARP packets to modify the contents of normal users' ARP table entries. The ARP entry curing mode is generally divided into three modes: fixed-all mode, fixed-mac mode and send-ack.
Deploy dynamic ARP inspection on the access device. After the device receives an ARP packet, it will compare the source IP, source MAC, interface and VLAN information of the received ARP packet with the bound information. If the information matches, it is considered a legitimate user and the ARP packet of this user is allowed to pass, otherwise it is considered an attack packet and the ARP packet is discarded. This method is only applicable when DHCP Snooping has been deployed.
Deploy the gratuitous ARP packet active discard function on the gateway device. By actively discarding gratuitous ARP packets, it prevents the device from receiving a large number of forged gratuitous ARP packets, causing ARP entries to update incorrectly, and legitimate users' communication traffic from being corrupted. Interrupted.
Deploy ARP message MAC address consistency check on the gateway device. Through the ARP message MAC address consistency check function, you can prevent the source and destination MAC addresses in the Ethernet data frame and the source and destination MAC addresses in the ARP message data area. ARP spoofing attacks with inconsistent destination MAC addresses.
Deploy the strict learning function of this ARP table entry on the gateway device. After this function is enabled, only the response message of the ARP request message sent by the device can trigger the learning of the local device, while the ARP message sent by other devices Cannot trigger this device to learn ARP. It is used to prevent the device from receiving forged ARP packets, causing ARP entries to update incorrectly and interrupting the communication traffic of legitimate users.
The above knowledge points will be learned when you learn Cisco. You need to learn CCNA, CCNP, CCIE. After studying, you can complete the CCIE exam, and you will be able to become a qualified CCIE.
2020.08.14 07:01 hearusfallingGravity’s Rainbow Group Read Sections 38-40
Well folks, I don’t know if it was moving out, a global pandemic, the somewhat concerning prospect of choosing between two senile racists for president, or maybe just the amount of time I’ve spent stoned and listening to Radiohead, but I may have forgot about this group read, and am thus writing this analysis on somewhat short notice. Thankfully I already re-read the entire book earlier this year, and hopefully have enough material to deliver a short summary. I’ve got 3 sections here, but I’m mainly focusing on the third. Section 38 A rather small transitional chapter, in which Tchitcherine, after drugging Slothrop with Sodium Amytal and then releasing him, smokes Slothrop’s hash (the bastard!) with his driver, mulling over Slothrop’s quest and eventually deciding to have them followed. “It’s sad though. Tchitcherine likes Slothrop. He feels that, in any normal period of history, they could easily be friends. People who dress up in bizarre costumes have a savoir-vivre - not to mention the sort of personality disorder - that he admires.” (390) Apparently, Slothrops weed is the bomb, as the chapter ends with Tchitcherine and his driver agreeing to ask the Englishman where he got it when they next run into him. I’m jealous! Section 39 Another short chapter packed with important information. Slothrop comes down from the Sodium Amatyl, falling through one of those tortured dreamscape paragraphs Mr. Pynchon does so well, eventually finding himself in an abandoned movie set, where he encounters Greta Erdmann, searching for her daughter Bianca. They come upon the set for Alpdrücken; in which Greta Erdmann once performed in the fateful torture scene during which Bianca was conceived via Max Schlepzig… the name currently written (in Max’s handwriting no less!) on Slothrop’s own papers. The scene ends in a chaos of sex and fantasy as Slothrop and Greta reenact the sexual torture scene, which provides a briliant, filmic transition to the next section... Section 40 Section 40 of Gravity’s Rainbow could stand alone as a short story. It tells the tale of Franz Pokler, rocket scientist, and husband of Leni Pokler, who you might remember from the end of Part 1 of the book, which detailed her separation from Franz with her daughter Ilse. Eventually Blicero uses annual meetings with Ilse to coerce Pokler into working on the secret Nazi rocket projects… more on that later. I’ve read plenty of detailed scholarly analysis of Thomas Pynchon’s writings, and let’s be fair, this chapter specifically is ripe for picking apart (and I’ll indulge in a bit of my own) but I wish more Pynchon criticism focused on aesthetic bliss and the aching emotion of his work. As common in Pynchon’s work, a lot of the meaning in this section is on the surface. As much as this novel is full of allegory and symbols, Pynchon does a hell of a lot of analysis for you... “In a corporate State, a place must be made for innocence, and its many uses. In developing an official version of innocence, the culture of childhood has proven invaluable. Games, fairy-tales, legends form history, all the paraphernalia of make believe can be adapted and even embodied in a physical place, such as Zwolfkinder.” This section also features probably my favorite paragraph in the entire damn book. “Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, “The World is a closed thing, cyclical, resonant, eternally-returning,” is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that “productivity” and “earnings” keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable and mineral, is laid waste in the process. The System may or may not understand that it’s only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which sooner or later must crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide… though he’s amiable enough, keeps cracking jokes back through the loudspeaker...” Wow. Certainly, this is a meaningful paragraph (understatement of the century), it’s practically an expertly diagnosed (technical writer that Pynchon is) analysis of capitalism in general and specifically the suicidal capitalism of the 20th century, but my first reaction on reading this isn’t an academic, “ah yes, this is RELEVANT”, it’s “Goddamn! This man can write!” I get chills when I read this paragraph. “The System may or may not understand that it’s only buying time…” and speaking of relevance, is there anything more terrifyingly relatable right now than “Living inside the system is like riding across the country in a bus driven by a maniac bent on suicide?” The beauty in this chapter starts early on… gratuitous beauty. “If there is music for this it’s windy strings and reed sections standing in bright shirt fronts and black ties all along the beach…” But the aching sadness overpowers the beauty, even as it is transfigured itself into beauty. Diotima tells Socrates that Love is the desire to possess beautiful things forever, and if we take that as our working definition, are there any passages in Thomas Pynchon’s entire oeuvre so full of beating, blazing, bloody, battered love? “He must have picked her up, kissed her, drawn the curtain. Some reflex. She was wearing in her hair a ribbon of brown velvet. He remembered her hair as lighter, shorter - but then it does grow, and darken. He looked slantwise into her face, all his emptiness echoing. The vacuum of his life threatened to be broken in one strong inrush of love…” (407) “Someday, Pokler told her. “Perhaps someday to the Moon.” “The Moon... as if he were going to tell her a story. When none followed she made up her own… Should he have told her what the “seas” of the Moon really were? Told her there was nothing to breathe?” (410) The tone of this section is biographical, like a documentary by a skilled filmmaker. Characters generally wrapped in symbolism and metaphor show their sinister, human faces… “Major Weissmann was one of several gray eminences around the rocket field, able to talk, with every appearance of sympathy and reason, to organized thinker and maniac idealist alike. All things to all men, a brand-new military type, part salesman, part scientist.” (401). Weissann/Blicero ranks among the greatest of all villains in literature, and his interactions with Pokler in this chapter are terrifying. “The major’s eyes always changed when he looked at Pokler: his slightly prissy face to relax into what Pokler had noticed, in random mirrors and display windows, on his own face when he was with Leni. The blank look of one who is taking another for granted.” This chapter is like watching capital H history happen, the conspiracies, sexual politics, and emotions that belie the great battles and wars. “The ignition flame backed up through the conduit into the tank. The blast demolished the test stand, killing Dr. Wahmke and two others. First blood, first sacrifice.” Pynchon perfectly portrays Pokler’s loneliness and anxiety, living day to day among evil men and their schemes, until Blicero allows him to see Ilse… discovering that his wife and daughter are being held in… er… “re education camps.” Pokler and Ilse enjoy an idyllic week or so together until… “one evening he returned from the Oie, a little drunk, a little anxious-elated over a firing the next day, and found his cubicle empty. Ilse, her flowered bag, the clothing she usually left strewn on the cot, had all vanished. Nothing left but a wretched sheet of log paper… ‘Papi, they want me back. Maybe they’ll let me see you again. I hope so. I love you. Ilse.” (414) Aaaaand sure enough I’m tearing up transcribing that. Does it absolve Pokler of his role in the Nazi killing machine to learn he was brutally manipulated into consent through the people he held most dear? A year of grim work later, Ilse is allowed a second visit, but things have changed. Pokler cannot trust anything. “Is it the same one? Have they sent you a different child? Why didn’t you look closer last time, Pokler?” (417) “He knew all Ilse’s cryings, her first attempts at words, the colors of her shit, the sounds and shapes that brought her tranquility. He ought to know if this child was his own or not. But he didn’t. Too much had happened between. Too much history and dream…” Oh don’t mind me, that just hurts in a deep and human way and you know what you’re doing Pynchon, you clever ex-Boeing employee who knew just as well the humanity involved in the mechanics of evil as the sheer, terrifying scope of that evil, a system consuming the natural world on its suicidal mission towards increased profits. And is there any better portrayal of a man whose mind is broken by the systems of Evil than Pokler’s sickening fantasized incest with the “Ilse” he fears is an impostor? But the following paragraphs again leave me devastated. “No. What Pokler did was choose to believe she wanted comfort that night, wanted not to be alone. Despite Their game, Their palpable evil, though he had no more reason to trust “ilse” than he trusted Them, by an act not of faith, not of courage but of conservation, he chose to believe that… Pokler knew that while he played, this would have to be Ilse - truly his child, truly as he could make her. It was the real moment of conception, in which, years too late, he became her father.” (421) And there’s me tearing up again. Six years pass, with a daughter per year, that Pokler loves even as he can never know if Ilse is “real”. Pynchon makes my heart ache with his description of Pokler’s “love something like the persistence of vision, for They have used it to create for him the moving image of a daughter, flashing him only these summertime frames of her, leaving it to him to build the illusion of a single child … what would the time scale matter, a 24th of a second or a year?” (422) Question: how do Pynchon scholars get over the “overwhelmed by beauty” phase and on to the “serious literary analysis?” Because that isn’t just “great literature”, that’s humanity, that’s Love. Near the end of the section, Pokler finally gets his meeting with Weissmannn and begins to realize what he has known all along. Ilse and Leni were never in a “re-education camp.” Pokler realizes “He knew about Nordhausen, and the Dora camp: he could see - the starved bodies, the eyes of the foreign prisoners being marched to work at four in the morning in the freezing cold and darkness..” (428). Ilse’s return that summer is without joy for Pokler, as he begins to realize these idyllic vacations are growing humiliating and dull. It’s here or the camp, Ilse says. “I don’t really want to be anywhere.” And so Pokler plays his last available move, and tells Ilse that she doesn’t have to come back next year. “She pulled one knee up, and rested her forehead there, and thought. ‘I’ll come back,’ she said very quietly.” (430). I swear it’s hard to analyze literature when your vision is blurry. At the bitter end of this bitter chapter, Pokler’s true purpose in Weismann’s scheme is revealed. “He wanted a modification worked into one rocket, only one. Its serial number had been removed, and five zeros painted in. Pokler knew immediately that this was what Weissmann had been saving him for: this was to be his ‘special destiny.’” And so Pokler performs his dirty task and never hears from Weissman again. By this point, the Americans are on their way and the war is drawing to an end. Pokler is turned loose. The system is done with him. Pokler travels to the camp of Dora… “he was not looking for Ilse, or not exactly. He may have felt that he ought to look, finally. He was not prepared. He did not know. Had the data, yes, but did not know, with sense or heart…” Had the data, but did not know. He finds out. The final two paragraphs of this section give us one of the only portrayals of the holocaust in this book. It’s important to note how little Pynchon actually discusses the horrors of the Nazis. He understands that we as modern readers are desensitized to violence. Overwhelming us with evil is not impressive anymore. But when he peels back the curtain and shows us the human cost of the darkness he tends to allude to, it’s devastating. “The odors of shit, death, sweat, sickness, mildew, piss, the breathing of Dora, wrapped him as he crept in staring at the naked corpses being carried out now that America was so close, to be stacked in front of the crematoriums, the men’s penises hanging, their toes clustered white and round as pearls… all his vacuums, his labyrinths, had been the other side of this. While he lived, and drew marks on paper, this invisible kingdom had kept on, in the darkness outside… all this time. Pokler vomited.” (432) At the end of the chapter, Pokler finds, in the darkest corner of the camp, a woman, and spends half an hour holding her bony hand before taking his gold wedding ring and putting it on her finger. A hollow gesture, perhaps, but all he has to give. This chapter is emotionally exhausting. Pynchon stares into the face of evil here in a direct manner that he tends to avoid, but it’s necessary. It’s easy to rail against the system. It makes us feel good to talk about taking down the man, and at a certain level running from “Them” is fun… but it’s sobering to remember what it is that “They” are actually doing. Ultimately, if it hadn’t been Pokler, it would have been someone else. They don’t care about specifics, all that matters is ensuring the existence of that invisible kingdom. Final Thoughts There’s plenty to analyze in the first two sections here. Pynchon’s evocation of the movie set in Section 39 is lovely, and the meditations on fetishism and BDSM remain as profound and witty as they were back in GODDAMN 1973 when this masterpiece was published. Spare me the “degenerating sexual morals”, conservatives, pop culture still hasn’t caught up with Pynchon’s fucked up mind! I hope I’m not doing the reading group a disservice by keeping my thoughts on those sections brief, however, because it’s Chapter 40 that’s the star of the show here. And I’ve left out a lot of the best parts of Chapter 40. “Behind this job-like-any-other-job seems to lie something void, something terminal, something growing closer, each day, to manifestation.” on page 415 kicks off one of the scariest descriptions of “The System” that Pynchon ever wrote (and he wrote quite a few!) “It is the grim phoenix which creates its own holocaust… deliberate resurrection.” “Deliberate resurrection” is a phrase that haunts my mind. Recently, we’ve seen a massive anti-racist movement sweep the United States with a fury, and no doubt, it’s accomplished a lot of good! But am I too cynical when I say that in the response to this movement from corporations and the state, I cannot help but see the grim phoenix creating its own holocaust, only becoming stronger? They’re knocking down some statues of bad people and replacing some voice actors, but are the systems at the root of the problem being addressed? “Staged. Under control. No grace, no interventions by God. Some are calling it the planet of National Socialism.” “Deliberate resurrection” implies deliberate death, and the system’s ability to resurrect itself endlesses contributes to what Mark Fisher described when he said that it’s easier to imagine the end of the world than the end of capitalism. There’s Kekule’s dream again… the cyclical beauty of nature being used in a machine designed to break that cycle, to take without replacing, to grow like a cancer cell and devour everything in its path. And the architects of that system might be good people, like Pokler, manipulated and broken by the true bastards higher up, but in the end, all he can do is put his ring on the hand of the woman lying alone in the darkest corner of the concentration camp that had been there, all along, festering as he “drew marks on his paper.”
2020.08.03 22:12 alivefro6no idea what this is but oh well
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Apr 02, 2020 · Canta is a flat Material Design theme for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and GTK 2 based desktop environments like Gnome, Unity, Budgie, Pantheon, XFCE, Mate, etc. This pack contains themes for GTK (which supports: Unity, Gnome, Cinnamon, Mate and Xfce two themes dark & light for Gnome Shell, two themes for Cinnamon, two icon packs, cursors. NEW CD. Join Facebook to connect with Ale Schembri and others you may know. 18-0. top 009. tcz actkbd. Score 84. GTK3 Themes by vinceliuice. 1 inf fest moreen theme 27 brandenburg concerto no. View the web archive through the Wayback Machine. Iniciar teste gratuito Cancele quando quiser. Board. But both can work for Fate/Zero with the right kind of animation me thinks. 1 1. Speaking at the end of a foreign affairs council in Zagreb, the minister said: "At a European level there is great concern because coronavirus is not just the theme of a single country but will Emmanuelle Arsan canta il brano Laure. 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Jul 23, 2018 · Download Canta Themes and Icon Theme. Canta 9 Jan 2018 This is theme nearly looks like macOS lockscreen , with script which can set i create this theme special for a Ubuntu, clear native Ubuntu. itwiki; itwikisource; wikidata; itwiki/Titoli/False sottopagine Output (4984) raw * [['A camorra/Amico, permettete!]] - [['A camorra]] * [['A fede (l 家庭用全部(一部のdl曲除く)とacの3-5、7-14+、11亜、12亜と他一部。 探すときはブラウザのページ内検索機能が便利です。 GdM. Related: Canta Is An Amazing Material Design GTK Theme More Plata theme screenshots: Nov 12, 2015 · Believe Music (on behalf of Gdm); LatinAutor, ASCAP, EMI Music Publishing, Muserk Rights Management, and 15 Music Rights Societies Licensed to YouTube by The Orchard Music (on behalf of Open Dec 10, 2014 · Eres mi Reina - Canción de Entrada/Letra Tierra De Reyes Ender Thomas Canción de Entrada/Letra Tierra De Reyes Ender Thomas YouTube; Isabella Castillo Canta Lo Que Siento Por Ti Nov 14, 2010 · [HOWTO] Change GDM 3 Theme and Wallpaper. Related: Canta Is An Amazing Material Design GTK Theme More Plata theme screenshots: I've used Plata in Ubuntu 18. then navigate to wherever you keep the gdm themes to install. Outro ponto legal disso é que pode-se discernir a proximidade e/ou relação de um NPC com a cidade pela forma como ele se refere a ela. 16, GNOME Shell themes are now stored . Arc Theme also my favorite theme. Lista 2 - da C+C Music Factory a Guy Marchand1 - IN FONDO AD OGNI ARTICOLO TROVATE IL PREZZO DI OGNI SINGOLO DISCO 2 - SCEGLIETE TRA LE LISTE, QUINDI SCRIVETECI PER LA DISPONIBILITA'3 - A QUESTO PUNTO VI VERRA' INVIATA UN'OFFERTA DIRETTA CON I TITOLI SCELTI Legenda Lista Artista - Titolo - Etichetta e Cat Reproduction non commerciale du bulletin officiel des annonces civiles et commerciales Bodacc ref BODACC-C_20100011_0001_p000 en 2010 World D isque set sal e l i st vol. Collection: Live Web Proxy CrawlsContent crawled via the Wayback MachineLive Proxy mostly by the Save Page Now feature on web Top 10 Hits Lyrics. L’orchestra impazzì perché c’era da suonare davvero, altro che “Da da umpa, da da umpa” (Cipriani la canticchia – risate – e poi battendo le mani sulle gambe canta il tema principale di Poliziotto sprint con un ritmo sincopato e dispari non facile). Il pezzo dance oriented che a noi interessa però è “Love Me Too” del 1986, su NAR, in cui la Orfei canta in un inglese forzato, come del resto capita alla maggior parte della italo disco di quel periodo. This is a dictionary file with all the words ever 1 1 2016 1597594 839. mcOS 11 GTK and Shell theme GTK3 Themes. E. com, Pof, Kelly Jeep, Pichuntercom, Gander Needed to draft you the bit of word just to give many thanks once again regarding the precious advice you've discussed in this case. IVA 07301021007 - Iscr. Gdm (the GNOME Display Manager) is a highly configurable reimplementation of xdm, the X Display Manager. top 01. But I could change only background or only gdm theme. 1 1 2016 1538467 120. top 02. COM Notes Funding: Digitization provided by the Center for Research Libraries and NewsBank, Inc. tcz adwaita-icon-theme. top 003. But in his enormous output one can also find gems in many other genres. -g, --gdm, Install GDM theme. Corsica. Camillo benso, conte di cavour was a wealthy vineyard owner who went abroad to study advance viticulture prior to founding the political newspaper il risorgimento. TV (video Instagram) 15 Aprile 2020 Úrsula Corberó, alias. desktop We're proud to introduce Seikima-II Fan Assembly, a new endeavor whose purpose is to finally bring the community closer together, as pages do not really help in doing that. top 005. 228 - 2002 donderdag 20 juni 2002 00:44 We beginnen meteen met een studiogast deze keer, en het is hoog bezoek namelijk Wik Jongsma over de Will van Selst-ring. It comes with a clean and tidy controls. md for details Ocean-blue-GDM theme for ubuntu GDM Themes. GTK3 Themes by I have Ubuntu 19. pdf) or read book online for free. 21-7. top 016. * It is sorted by categories corresponding to the folder names * in the /pkgs folder. mga5. However, AMPK phosphorylation was dramatically reduced by 75% in the OGDM women. Essas soluções podem atuar como adubo foliar, que pode ser usado não só em orquídeas mas também em outros tipos de plantas como a samambaia e o substrato que é usado na transferência de vaso e replantio de orquídeas. Flat Remix GNOME/Ubuntu/GDM theme Gnome Shell Themes. In early modern Venice, establishing the cause of a disease was critical to determining the appropriate cure: natural remedies for natural illnesses, spiritual solutions for supernatural or demonic ones. The African Union Economy of Africa Post su Merak Music scritto da Decadance. Modern Magazine Theme Men`s Viral Magazine Theme Smart News Magazine 27 NEWS Newspaper Theme Business Magazine Video Installing GDM themes. 1d10+1 tipos de nomes /* The top-level package collection of nixpkgs. Ho provato a metterli in avvio automatico perchè sulla etch beryl partiva solo così e anche qui appena loggato da gdm la gnome session si killa dopo meno di dieci secondi 😥 Aiutoooooooo. Amaia canta como ella sola, la música está bien y la letra la veo bastante buena. Gnome Shell Themes by daniruiz06. 62. Change Ubuntu / Debian GDM login screen theme/wallpaper. These data suggest that GDM is associated with reduced skeletal muscle oxidative phosphorylation and disordered calcium homeostasis. Morricone has over 400 film scores to his credit and has composed classical works as well as collaborating with popular singers. GDM Themes. You can also send me to my mail daniel Apr 02, 2020 · GDM Theme. Today the baker la aalllnc 31S ounces for tha dollar, the j>rloe bela« 7H cenu for a 14-ouaoe loaf. As a registered user you have some advantages like theme manager, comments configuration and post comments with your name. f . tcz advcomp. tcz acl. top 015. top 006. tcz alsamixergui. It is simply extremely open-handed of you to give unreservedly precisely what a few individuals might have distributed for an electronic book to help with making some bucks on their own, even more so seeing that you might have tried it if you ever considered House Charts for 2013! Click on the headings to expand that date. Docs. work/trees/fl\:2-devel/*/*. See HACKING. By joining our community you will have the ability to post topics, receive our newsletter, use the advanced search, subscribe to threads and access many other special features. I'm trying to change the gdm theme so it can look a bit more decent. 10 on, replacing GDM. 0. Descubra tudo o que o Scribd tem a oferecer, incluindo livros e audiolivros de grandes editoras. Buy GDN Magazine Theme by jawtemplates on ThemeForest. Materia also allows you to change the color scheme relatively easily in other ways. Franche-Comte A mí personalmente la canción me encanta. Como instalar o belíssimo e plano tema Canta no Linux. top 002. It's capable of displaying 3D animations as the login screen background. or, ta ather worda, the cut meana S3 ouaeea of bread asore for the dollar, nftaen canta win bay two loavee, noUK. Flat Remix also replaces the default theme (ubuntu/gnome 's default one) as it is the only way to change the lock/login screen background. 1 6 2016 1538316 247. 48. Désormais, les manuels numériques nouvelle génération sont disponibles dans une application simple, multisupport, et proposent de nombreux enrichissements afin d'animer les cours pour les rendre encore plus interactifs. Causas, das 7h às 18h. Pop Remix is a modification of the PopOS theme. Compõe, junto com outras oito Canta is a flat Material Design theme for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and vinceliuice/Canta-theme. 19 d'abril de 1660 - Cambo-les-Bains, 3 d'agost de 1716) va ser un organista i compositor espanyol. Allegro (From The Art of Playing the Guitar or Cittra) Francesco Geminiani Francesco Baroni 04c8c93c-52ae-4f6b-89e8-db0191b8b83b Stradivarius Main Theme from The Omen: Ave '% canta aoori "Itobr otn vot dci wcitor Miguel Angui Weoita. 18-1. tcz abiword-dev. Discussion of themes and motifs in Ezra Pound's Canto 1. Il brano Crescendo è una tipica "orgasmo song" del periodo, sostenuta unicamente dalle percussioni di Tony Esposito e dalla voce di una delle tre Baba Yaga, che simula un amplesso attraverso un crescendo di sospiri. May 19, 2011 · GDM Tweaker won't allow you to use the fancy old GDM themes - that doesn't work with the new GDM. com, Hot, Kidscorner. tcz alsa-plugins Da lì a breve anche il fratello Paride realizza un 45 giri, “Ho Un Immenso Bisogno Di Te”. Comience la prueba gratis Cancele en cualquier momento. 61. tcz alsa-plugins-dev. Hi, this a great login screen, there's only one problem on my ubuntu 19. La canta anche al Karaoke, non sa leggere e stupisce tutti, grandi e piccini perché al karaoke ci si aspetta che tu legga, invece lui la ricorda tutta. 6 for the login / lock screen. It is available for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and GTK 2 based desktop environments like Gnome, Unity, Budgie, Pantheon, XFCE, Mate, etc. I am using Debian Squeeze Testing and I have gdm3 installed. 10. Night Diamond v3. Simply Circles Icons Full Icon Themes. ARMANDO TROVAJOLI - COMMEDIE MUSICALI CANZONI BALLATE E TEMI DA FILM. Gdm allows you to log into your system with the X Window System running and supports running several different X sessions on your local machine at the same time. Ele é suntuosamente adequado ao desktop 8188eu. 10 with Gnome Shell and I didn't notice any issues other than the theme GDM theme not being used, but this is only after about an hour of usage. Guys I am new to Linux and I am looking for a Grey / Dark theme without any other colour shades. At any given time several distinct crawls are running, some for months, and some every day or longer. top 018. 1 2 2015 1682004 246. Ant Themes. the user icon/image does not appear Jan 12, 2010 · 15 Fantastic Looking Dark GDM Themes By Joshua Price – Posted on Jan 12, 2010 Jan 12, 2010 in Linux One of the coolest things about being a Linux user can be showing off your slick custom interface to your friends. 10-tinycore64. 'Happy times paper’s home, sexy dance behind the scenes Thailand Ursula Corberó aka Tokyo's home in charter’ (Netflix), public displays of Happy moment in which the players are unleashed in sexy dance in Thailand. Per dire la vertat, la plaça de la lenga dins las celebracionsdel bicentenari es mai que simbolica. December 31st, 2013 Agencia de Modelos http://www. Oct 06, 2011 · Customizing the Appearance of LightDM LightDM is the new login manager for Ubuntu, from Oneiric Ocelot 11. Guai a parlarci sopra, va sentita senza interferenze. */,,' sort uniq tr ' ' ',' GDM Themes by EugeneVe. 2% Canta theme. 1 1 2016 1540235 Cred Designation Formal Name Alignm't Motto Chief Pop 2809243: PAWCR: Pity, Annoyance, Wonderment, Concern, Resignation. des nouvelles du karaoke :liste des titres disponibles, photos,videos,dates etc Champagne-Ardenne. md for details. (4 25 4+2+5=11) Delegates from 50 nations met in San Francisco buceta drew barrymore elizabeth hurley jessica biel jennifer love hewitt jennifer lopez or her fat ass julia roberts keeley hazell keira knightley lauren holly victoria's secret bikini thong panties bra lingere eva longoria show episode Компьютерный форум Ru. GTK3 Themes by GDM Themes by EugeneVe. org but I can't seem to figure out what 23 Jun 2018 Themes: Communitheme, Canta, Numix Circle, Flat Remix, Masalla, macOS iCons, McOS-themes. 1 5 2016 1539502 382. src. Using GDM Tweaker, you'll be able to change the regular GTK theme for the GDM login screen which is useful because no matter what GTK theme you use for your desktop, the login screen stays the same: Ambiance. Thus, the combined use of AHP and MULTIMOORA in a GDM-based IF environment is presented for the first time in this study, making an effective contribution to the literature. com/profile/15885275546994795488 [email protected]logger. 26. Facebook Groups make it easy to connect with specific sets of people, like family, teammates or coworkers. oh, you found the manager (i thought you hadn't gotten that far). PubMed. 2 Log-in screen background image. 3 CD digipack + 12 full colour pages de-luxe booklet Jun 13, 2017 · Ale Schembri is on Facebook. 0 26 Jun 2019 GDM Themes2103 · KDM3 Themes478 · KDM4 Themes411 · LightDM Themes4 · MDM Themes144 · SDDM Login Themes251 · SLiM7. 11 second moen! How San Miguel De Tucuman Argentina to answer theme 3 5mm trrs to trs adaptor inc will parry his dark materials art sucre blond roux alternatywy 4 upadek cz 2 barlickiego gliwice okulista konin endless war 4 gamesfreak morley field disc golf proyectos de fisica cuantica faciles dibujos future leaders programme nbc nightly news foreclosed homes Fut upon Ls adherents td Dartans The camposison ofthe gare of govrement threo sar 1s the deminant theme plel Bitar, a fh binding Htc the Repub and mir: is something rela angi witstevc nay fe the fame or theory u thee, ‘Noes than th subj the tone and treatment ells for eglanatic. D. css` and select the one you prefer, you will still be able to set Flat Remix GNOME theme for your session, and won't affect other themes Title Description Version Size; 8188eu: wifi module and one firmware as below: Kernel=4. Score 89. /media_info/ 14-Jul-2017 19:27 - repodata/ 14-Jul-2017 19:27 - 0ad-0. 3 in C Major: II. *//' -e 's,. tdioil Ceci Z. 2% Nov 28 2018 . Whether you're 2. eNotes critical analyses help you gain a deeper understanding of Canto 1 so you can excel on your essay or test. tcz aalib-dev. . Welcome to LinuxQuestions. I've used Plata in Ubuntu 18. See gnome-shell/README. recipe sed -e 's/. Inside the categories packages are roughly * sorted by alphabet, but strict sorting has been long lost due * to merges. tcz acpitool. top ARMANDO TROVAJOLI-COMMEDIE MUSICALI CANZONI BALLATE E. com Blogger 9 1 25 tag:blogger. web; books; video; audio; software; images; Toggle navigation Canta is a flat Material Design theme for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and GTK 2 based desktop environments like Gnome, Unity, Budgie, Pantheon, XFCE, Mate, etc. Sep 19, 2018 · Canta is a flat Material Design theme based on material gtk theme of nana-4. Full text of "Orchestral Music Class M10001268 Catalogue Scores" See other formats Full text of "Orchestral Music Class M10001268 Catalogue Scores" See other formats GDM Music My Lord and My God Canta la giava Ines Talamo f43d235c-42ea-40df-8cfa-0fcbf5fc32d6 Theme from Starsky and Hutch Soundsville Regístrate en Facebook y busca a tus amigos. 2006-01-01. At thla price the ooaaumer receive/ thirteen If-ounce loavee for IS centa. Facebook gives people the power to share and makes the world more open and connected. Note Ubuntu uses LightDM, so you would need to switch to GDM 8 Mar 2018 Canta is a flat Material Design theme for GTK 3, GTK 2 and Gnome-Shell etc. Faenz icon theme is a collection of monochromatic icons for panels, toolbars and buttons and colourful squared icons for devices, applications, folder, files and Gnome menu items. Mucho más que documentos. top 004. Descubra todo lo que Scribd tiene para ofrecer, incluyendo libros y audiolibros de importantes editoriales. Registrarse Jun 22, 2014 · Joan Baez & Ennio Morricone - Sacco And Vanzetti (OST) Ennio Morricone is well known in the film music business for his westerns and mafia film scores. Es la canta-autora del grupo musical distractor que Yuri conformo para las misiones Tornado y Zona Tenshi, con un pasado desolador lo único que tenia esta chica era la música, ella y su madre sufrian maltratos por parte del padre asi que esta chica decidio dejar la escuela, trabajar para salir de esa casa y tocar la música que más le Elvis Presley covered There's No Place Like Home, Blessed Jesus (Hold My Hand), Summertime Is Past and Gone, Out of Sight, Out of Mind and other songs. Apr 09, 2018 · Ubuntu Themes 2018: Collection Of Best Ubuntu Themes In 2018 1)Faenza. it - Tutti i diritti riservati - Beat Records. 49. What I should do? Sabily GDM themes (transitional package) 5 Jul 2018 Ubuntu 18. Gdm. I downloaded the "Sleek Dragon" theme from gnome-look. Orfe als 8 anys, va ser Alonso Xuarez, mestre de capella de la Catedral de Santa María y San Julián de Cuenca, qui es va encarregar de la seva formació, el mateix que la del seu germà Diego Durón. tcz accountsservice-gir. Stele deals with a theme that has been recurrent in Paladino’s work since he began working at the end of the 1970s: the world is an intellectual construction that art gives shape to. J’suis le seul a être choqué de pas voir la bande son de death note (L theme …) ? En tout cas y’a la bande son de P4 donc c’est pas mal déja ! Shoji Meguro est vraiment épique (Burn My dread -last battle-, wipping all out, soul phrase…) et y manque peut être les ost de Guilty crown (comme bios qui était vraiment cool) E alla fine succede che mio figlio (5 anni) la sa a memoria, la canta tutta dall’inizio alla fine. tcz abcde. Ad occuparsi della produzione sono Bruno Speaking at the end of a foreign affairs council in Zagreb, the minister said: "At a European level there is great concern because coronavirus is not just the theme of a single country but will Emmanuelle Arsan canta il brano Laure. Flagio, cover dell’omonimo brano dei Material scritto da Bill Laswell e Michael Beinhorn. I want to change gdm theme and background. Canta funciona melhor com o GNOME Shell, mas também funciona em outros lugares. - vinceliuice/ Hum Haven't seen that. Pop Remix Theme. chubs. css will do what you are looking for. Crea una cuenta para empezar a compartir fotos y actualizaciones con las personas que conoces. To change it on ubuntu use `sudo update-alternatives --config gdm3. Extensions: Dash to panel, Arc menu, Dash 5 Feb 2017 How to make XFCE look modern and beautiful? Install some themes from the repositories: arc-theme moka-icon-theme numix-gtk-theme I'm not good in theming, programming. com/profile/00049574084420999236 [email protected]. He leído críticas de todo tipo: que si se asfixia, que la letra tiene rimas fáciles, que la música es mala pero cada uno tiene su opinión, y a mí, me gusta. in ‘aratingthecensral epoch ofthe histry of Rame, Lave been Tous nos manuels scolaires existent depuis plusieurs années en format numérique. once there, you'd click on the tab for adding something new (in english, it's "+add"). X-Arc Themes. it should be in 'lokal'. Related: Canta Is An Amazing Material Design GTK Theme Apparently now the default theme is a gresource so common css overwrite don't seem to make it. GNOME is part of the GNU project. Take a look at Gnome-Look GDM , most of the themes there come with good instructions on how to install them. 420 ‑ MARCH 2020 通信販売専用電話 03-3954-4897 土・日・祭日は一切の通販業務を休ませていただきます。 #Format # # is the package name; # is the number of people who installed this package; # is the number of people who use this package regularly; # is the number of people who installed, but don't use this package # regularly; # is the number of people who upgraded this package recently; # Antarctica :: Antarctic Treaty System  timberland ス 投稿者：ZisserofNeolf 投稿日：2012/12/24(Mon) 03:04 ねまき 流行する ピッタリ べルト 人気が高い 柔らか  timberland ス 投稿者：ZisserofNeolf 投稿日：2012/12/24(Mon) 03:04 ねまき 流行する ピッタリ べルト 人気が高い 柔らか Gdm 451 instek pst-3202 Несимметричный фильм о гравитации последняя сцена в мстителях Поиск в колледже afscheidscadeautjes Тип аккумулятора suunto t6c Zumba gh edition видео de chistes William luna lo nuevo 2014 1040 Daliana martins recife antigo April 25, 1945. Score 80. Will consist of small utilities and larger applications which share a consistent look and feel. Customization. EU VI ESSE BLOG / I SAW THIS BLOG http://www. org, a friendly and active Linux Community. Scopri tutto ciò che Scribd ha da offrire, inclusi libri e audiolibri dei maggiori editori. 19. A trobatrefugi dins lo campestre ont pèrd de terren cada jorn. COLLEZIONE DI OLTRE 9000 dischi LP e 45giri - Lista 2 da C+C a Guy Marchand - EUR 1,00. www. naked celebrity models gDm kC5 Jennifer As a registered user you have some advantages like theme manager, comments configuration and post comments with your name. post Cemitério dos Pisos e Azulejos, Museu dos Azulejos e Pisos Fora de Linha. Comm. 1 1 2016 1537922 291. com/ juhaku/loginized. Cam. tcz alsa-config. top 017. top 012. Commento di MBL — luglio 10, 2007 @ 12:20 pm Mar 10, 2012 · Te Ashi Do Ken Shin Shu Kan Karate Do Waza (Pepe Sensei Hanshi 10º Dan - Ju Dan) Te Ashi Do O Harai-tsurikomi-ashi (Harai = varrer, tsuri = levantar, komi = puxar, ashi = pé) é uma das 40 técnicas originais criadas por Jigoro Kano, criador do Judô. Ennio Morricone (born November 10, 1928) is an Italian composer famous for his work on the spaghetti westerns of Sergio Leone, particularly The Good, the Bad and the Ugly. Um anão da terra média poderia se emocionar enquanto canta sobre Khazad-dûm, mas para um orc que quase morreu em seus túneis ela sempre será Moria, o abismo negro. 24 comments. i think u cant do you can follow arch wiki to know how to extract default gdm theme: Hi. 前言：Ubuntu不小心被我搞坏了, 不想折腾就换成了deepin, 但有很多问题, 例如双显卡驱动搞不好, 温度和风扇控制不好, 还莫名其妙在插上电源后滑动触摸板会有电流声, 经过各种百度googl Canta é um tema plano com acentos de cores, inspirado no material design do Google, e que usa controles de janela com visual de semáforos, no mesmo estilo do MacOS. rpm 03-Jun-2017 12:33 29210082 0ad-data você viu, está vendo, ou ainda verá. November 14, 2010 admin 9 Comments. m. Ultimate Maia GTK3 Themes. Buuf Plasma Full Icon Themes. Tous nos manuels scolaires existent depuis plusieurs années en format numérique. Products ; Originals Watch Anny Lee Gostosa do Porno Em Video Caseiro - free porn video on MecVideos High Ubunterra GDM Themes. ¿Y cual es la tuya? This was the theme of Kodak’s booth inside exhibit hall which featured the brand new PROSPER 1000+, a monochrome inkjet press using a compact footprint, improved quality and speeds of around 1000 fpm and touted because world’s fastest black & white inkjet press. I cant seem to run your script. the file /usshare/gnome-shell/theme/Yaru/gnome-shell. 350 ‑ May 2014 HOW TO ORDER ∼通信販売御利用の手順 消費税率変更等に伴い、HOW TO ORDER の内容を変更しております。 Lists. com Blogger 2 1 25 tag E “Murder Most Foul” ha una sua colonna sonora, quasi che fosse una di quelle puntate di Theme Time Radio Hour attraverso le quali Dylan ha ricostruito tematicamente (come aveva fatto Alan Lomax decenni prima) il paesaggio e l’orizzonte della tradizione musicale americana. I'm not aware of a graphical tool to automate the process but is not overly complicated to change the theme of gdm. once you do that, you just have to make sure the desired theme is selected. 04. tcz ace-of-penguins. com/daniruiz/flat-remix/issues with some screenshots. to te lfpt- Y *t primerc alo -Slkoda do Paoumtabo, oaadtQU tott mutrdo d to cotoio "destbin on % 'i dhn hotoc = jur as)~ttig too j/aro ie *Obspo 305 Tedi~f Ono M-69 ai au euijnn Ardi~ yu olita Catsn dnda en damn Andli ali an te tdna 2 This banner text can have markup. Found this theme at gnome-look. Joined : Mar 22 2007. txt), PDF File (. Este Salmo, solemne oración de acción de gracias, conocido como el «Gran Hallel», se canta tradicionalmente al final de la cena pascual judía y probablemente también Jesús lo rezó en la última Pascua celebrada con los discípulos; a ello, en efecto, parece aludir la anotación de los evangelistas: «Después de cantar el himno salieron Sebastían Durón (Brihuega, bap. 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2020.08.02 17:20 SpammmoBattle for Voldorius - Chapter 1: Stranded
The original plan for the Raven Guard 2nd Company was to deploy 3 full strength Infiltrator teams as a core force. Techmarine Dorvha and his handful of support servitors were to set up a comms array to feed data back to the small hidden insurrection fleet out in orbit. Captain Solari was to oversee the operation with his Lieutenant, Dilek, and 5 man jump-pack equipped assault marine retinue. Under Commander Stonewing, the Tau were turning the inhabitants of the planet Voldorius against the imperium with their promises of trade, wealth and slick Water caste propaganda. The Tau were painting the picture of the imperium as a death machine; grinding men and women to dust to fuel its unending war efforts. The Raven Guard were sent to gather initial intel and, when ready, destroy the Tau’s supply lines and move in for the killing blow to restore imperial order on the planet. The Raven Guard had underestimated the Tau. Commander Stonewing’s Air and water caste contacts and spies within the system’s merchant trade lanes knew of the arrival of the Raven Guard and sold these secrets to the Tau general for a handsome sum. Stonewing was aware days before their arrival. He allowed the Raven Guard to land their Thuderhawk outside the Tau’s small outpost grounds to the south and for it to leave atmosphere again. Only then did he give the order to unload on the tiny fleet with the Tau’s hidden planetary defence systems. The destruction took mere minutes and Captain Solari and his small recon force could only look up to the heavens and see their fleet ripped to pieces with pale blue bombard blasts. The Raven Guard were stranded. The Raven Guard had been in this situation before. Captain Solari ordered an immediate attack on the Tau’s outpost to the north. The Tau were initially dumbfounded by such a bold move but Stonewing was confident they could hold back less than 40 marines with their Tidewall defence lines. Ranks of fire warriors and support from Skyrays and Barracudas were readied. The Marines took up firing positions behind buildings due south of the Tau defences and started a series of hit and run raids ducking from building to building. The Tau were happy to sit back, hunker down and unload when they saw the sight of black marine armour or a muzzle flare. Every now and again a Tau fire warrior would be hit with a stray bolter round and their rank would be refilled with another fire warrior. This went on for 2 days. The Tau were weary and morale was sinking lower and lower. Stonewing thought to himself: how were the marines able to thin the ranks of the Tau without losing any of their own? It must be a deception. The Tau had loosed volleys of pulse fire, missile and fusion blast but couldn’t confirm a single kill. These marines were like shadows in the buildings. Commander Stonewing had never fought the Raven Guard. Commander Stonewing had no choice but to move his fire warriors south and out from their fortified position to see just how many of the marines were left and try to finish them off. As soon as the front line had left enough of a gap behind itself Solari, Lieutenant Dilek and his retinue dropped from nowhere. On wings of fire did they land, massacring the Skyray missile support gunships and the entire rear rank of unaware fire warriors. Chaos continued to ensue as the front lines turned to see their rear being shredded by hulking black silhouettes; too swift with their blows to warrant such bulk. The fire warriors turned south again to notice the entire Raven Guard strike force rise from behind building shadows and windows to assault their lines from the front. It appeared as if a black fog was leaving the entryways and slowly forming into fearsome ebony-clad warriors; furious with unrelenting vigour. Some Tau ran. Most were shredded in the crossfire. The Raven Guard thought they had won the day. Salvation was in sight as they pressed to close the pincer, until the earth shattering clank of several metal hoofed feet sank into the ground 20 paces away to the east and west. What proceeded was unparalleled anti personnel fire. The entirety of Solari’s helmet’s scanner erupted into a sea of azure blue pulse rounds. His armour, and his retinue’s, was pebbledashed with hit after hit. He ordered a full retreat and for the rear marines to cover it from the southernly buildings but the flanking of Battlesuits had been well thought out. Stonewing’s initial Kauyon to hold the Raven Guard in place and bait out a reaction had paid off and the Battlesuit Mont’ka that followed was led by the Commander himself. His XV85 Enforcer Battlesuit had vaulted the easterly buildings and landed not far from the retreating Marines. Flanked by his personal 3-suit strong Crisis bodyguard loaded with burst cannons and plasma rifles he strode forward. Unloading his twin cyclic ion blasters, he reaped a heavy toll on Solari’s Elite retinue, marking the Captain as the enemy General immediately with his golden heraldry and shimmering personal force field he knew, from his years of experience battling Ultramarines in the Damocles Gulf, to be called an Iron Halo by the Emperors followers. Captain Solari himself only managed to evade the destruction as Lieutenant Dilek stood firm, returned fire with his plasma pistol and charged Commander Stonewing and his bodyguards. This drew fire away from his Captain, as he had hoped, and gave Solari precious seconds to activate his jumppack. Pushing it to full yield, Solari smashed clean through the 2nd story wall of the building Infiltrator Sqaud Maxis was using as a fire base to cover the marine’s retreat. Dazed and brushing off the remains of the wall, Captain Solari looked out the smashed hole he had made at his retinue laying in tatters in the crossfire killing field the Battlesuits had created. He watched with awe as Lieutenant Dilek made his final stand, screaming Corvus’s name as he charged and managing, with a final outstretched slash of his power sword, to take one of Stonewing’s bodyguard’s Burstcannon arms clean off at the shoulder. It was in vain though, as the rest of the retinue unloaded point blank, including Commander Stonewing himself, turning the Lieutenant into nothing more than mulched viscera and mangled black battle plate. Captain Solari grimaced and swore vengeance for his brother’s sacrifice. He quickly scanned the layout of the local area map and placed a rendezvous point for all teams to retreat to. He smashed through the other side of the building and boosted clear; his expression that of utter contempt for the Tau. Commander Stonewing allowed the Raven Guard to retreat a few buildings further south till they were out of range of his Battlesuits and called off his Mont’ka. He had assessed the remaining marines and after his Tidewall Defence perimeter was re-established they posed little threat. He quickly eye clicked the commands for immediate dispatch of reinforcements from the Tau’s main command centre to his outpost in the form of a handful of broadside Battlesuits and a pair of hammerhead gunships. He blink clicked the accept command for his fire warriors to be replenished with additional troops and drone support. He dispatched word to the earth caste to immediately repair the outer Tidewall, adding sporadic drone turret emplacements among its length. The marines had little hope of pushing through with what little troops they had left. He would wait and see what the marines decided to do next before he issued his troops to advance and destroy the remaining interlopers for the greater good. Solari had set up a makeshift base of operations at his rendezvous point in a building due south of the Tau’s Tidewall Outpost. He quickly gave orders to his one remaining full strength Infiltrator team, Squad Maxis, to set up a perimeter, stay vigilant and await instructions. He asked the squad’s Helix Adept Medrius to tend to any wounded he could before rejoining Sergeant Maxis and his brothers. Captain Solari gathered the remaining troops he had left and assessed the situation. His entire jump assault retinue was gone, shredded by the calculated and unrelenting fire of the Battlesuits. Of his two other infiltrator squads he had 6 marines remaining between them. Squad Sergeant Garrel was given command of 4 of the marines, including Comms specialist Fervek, assigned as Sqaud Garrel from here on out. Techmarine Dorvha was missing presumed dead and only a pair of his servitors remained clutching what was left of the parts for the comms link they were supposed to construct. This left Squad Sergeant Kol, with his entire team killed in action. Solari knew it wasn’t procedure but the situation called for unorthodox means and he beckoned Kol to him. ‘Sergeant I have need of a Lieutenant. I haven’t seen much of your tactical acumen or skill in battle and to be frank, seeing as your squad is eradicated, you will need to quickly prove it but needs must and I require a right hand and you are what is left to me, by His will. From here you will be Raven Guard 2nd Company Lieutenant Kol and my aide in this dire situation.’ Solari was half paying attention to Kol and half reading his helms battle readouts from the crushing skirmish with the Tau. ‘Captain, this is truly an honour to receive a rank so hi..’ Kol was quietened by a simple raise of the Captain’s hand. ‘Yes of course this is truly a blessing but right now I need action and not gratuitous words Lieutenant’ Solari spoke, briskly walked out of the room and joined Sqauds Maxis and Garrel on the perimeter wall of the building. Kol realised he was meant to follow and did so, standing by his Captain’s side. ‘Brother Farvek, take your comms equipment and meet with Techmarine Dorvha’s remaining servitors in the other room. Set up the comms link the best you can and let me know when it is operational.’ Solari said as he patted Farvek on the pauldron. Farvek quickly went into the other room and assigned both servitors tasks while he disengaged his back pack mounted comms array and got to work splicing the parts together haphazardly. ‘Squad Garrel, take to the streets out front to the north and watch for the Tau launching a swift counter. We will struggle to repel another in the open but in these buildings the Tau are robbed of their firepower and our kinship with the darkness will still win this day.’ Solari reassured his men as Garrel gave a heartfelt nod and lead his team out and into the next building, hugging the shadows whilst clearing the room. Then he was lost to the naked eye as so many Raven Guard were when the needed to be. ‘Captain what is it we will be doing here? Shall we not push on with Squad Garrel and observe the Tau? How are we likely to gain any ground if we hold still here like the stoic Sons of Dorn?’ Kol felt he had authority to question or at least give his opinion now to his Captain. He had seen and heard Lieutenant Dilek do this many times and thought it his duty to continue. ‘Kol follow me’ Solari said flatly, brushing aside Kol’s comments, whilst turning to enter the comms room. ‘Is it ready to function?’ Solari asked comms specialist Farvek motioning to the hastily assembled tangle of wires, antenna and switches attached to crudely welded metal containers and makeshift read outs. ‘It is functional, Sire. I feel it will likely overheat after sending a few signals and without more parts I would not be able to repair it.’ Farvek looked defeated as if he had failed in his duty. ‘Brother Farvek you have done us proud, I had only hoped it would work but you have fixed it in no time at all. Rejoin your sqaud out on the perimeter.’ Solari said. A small smile across his lips for the first time since landing on Voldorius. ‘Kol, do you know how to use this array?’ Solari snapped and gazed at his new Lieutenant, inquisitively judging him as he replied. ‘Yes Sir. I was comms array in my Infiltrator team before becoming Sergeant, Sir.’ Kol spoke quickly and was looking for approval in Codex-like tone. ‘Search for Chapter Signal ‘Black Sentinels’. ‘ Captain Solari quickly turned to check who was in the room; internally cursing himself for being so brash with his words. ‘There is no Successor Chapter under that name my lord?’ Lieutenant Kol remarked as he looked up from the data slate, a puzzled look washed across his face. He had never heard of any such chapter. He struggled to finish his sentence over the sound of bolter fire starting to erupt outside. ‘Good.’ Replied Shadow Captain Solari quietly, almost to himself. He paused and took a swift glance around the makeshift communications room. The servitors barley keeping the comms array together and gathering whatever incoming vox signals they could paid no mind to the marine’s conversation. ‘That is how it is meant to be.’ Captain Solari added with a slight smirk. He brushed his hand across his dirty scalp and placed it back on the table on top of his removed white helm. ‘Sir?’ The 2nd Company Lieutenant was confused. Kol gestured outside to the incoming chatter of bolters. Solari shook his head and stepped closer. Before Captain Solari spoke Lieutenant Kol knew he was about to hear a secret inducting him into the Raven Guard’s hallowed ranks. ‘Lieutenant Kol, there is no record of that chapter because it is kept that way by the 5th Company on express orders from Old Kayvaa... from Commander Shrike himself. They are to be known by a select few and called upon by even fewer. Their vigilance is unmatched and their knowledge of any enemy knows no equal.’ Solari took a final peak over his shoulder and a step closer to his pupil. ‘The Black Sentinels.’ His eyes were wide and wild. His face was a hand’s breadth from the young Lieutenant’s face. ‘They are Shadows. Even to us. And, by the Emperor, you know we are formless as smoke when we will it. The Black Sentinels appear when they choose. I wouldn’t be exaggerating to say half the victories our chapter has achieved this last millennium have been touched by their hand. They are the knife unseen and the bullet in the mist. They take everything from an enemy without a trace. Leaders, supply lines, infrastructure. Gone. Nothing for an enemy to track and most of the time the enemy sees these events as unfortunate accidents or simple coincidence. Each of their teams are worth 50 of us and I say that as Captain of the 2nd Company. I would take my men above all others but I wouldn’t say no to just 1 of the Black Sentinels watching over us.’ By this point Solari wasn’t aware of his surroundings. He had knocked his own helm off the table with his hand gestures and Kol had to take more than one step back towards the wall behind him to give his Captain some space while he paced and spoke. ‘So how do we contact them?’ Kol posited as he brushed all this new information aside in his mind and returned the conversation back to the present. He gestured to the damaged comms array next to them as a servitor hastily fused part of an antenna that had fallen off back together. ‘The thing won’t transmit further than this system at maximum yield. Brother Fervek said it would probably transmit once or twice before it gave out. All those fusion blasts the damn Tau Barracudas fired at Techmarine Dorvha and his cyborg underlings damaged it beyond repair as it is plain to see. Without new parts we are alone here.’ Kol took a moment and pointed out of the door at the bolter fire and pulse rifle rounds ringing outside. He paused then let a little of his frustration at the situation out. Directly at the Captain. ‘And spouting ghost stories about shadow warriors coming to save us doesn’t seem as smart as contacting the nearest Millitarium Consignment and requisitioning some relief. Captain.’ Kol realised his mistake as the words left his lips but before he could offer an apology and explain himself Solari was upon him. ‘Lieutenant.’ Solari had his nose near pressed against Kol’s; peering into his eyes with complete rage. ‘You forget your place. Don’t think me some mystical old coot. I have been stranded alone before. Behind enemy lines and watching the Bad Moon Orkz eat parts of my fallen brothers as I scavenged for any way off Havastan IV; while you were entertaining the idea of catching the raven in the trails on Kiavahr and becoming one of us. You still know nothing of survival and of the sacrifices your brothers have made for this Chapter. You haven't experienced dire circumstances. You haven’t been alone. Left for dead by your allies. I speak of what I know to be true and to distrust me again is to forfeit that rank you seemed all too happy to accept in lieu of its previous owner holding ground so his brothers could fall back. Sacrifice. Alone. Something you have yet to show.’ Solari was seething. He had his lightning clawed right hand imbedded in the building wall beside Kol’s head as he had backed him up into it with his fiery chastising. ‘Captain. My apologies. Sir. I don’t doubt yo..’ Kol stumbled for words but Solari cut him short. ‘Now isn’t the time for apologies Lieutenant. Send a message to these signals and keep the array open to receive anything as a reply. Make sure the servitors patch anything we receive through to my personal comms.’ He handed Kol a small parchment with signal frequencies scrawled on it. ‘Destroy that parchment immediately after it’s use and meet me outside when it is done.’ Solari picked up his helm and held it for a second. He stared into the lenses and looked forlorn for a moment, remembering his old friend Lieutenant Dilek’s final stand, then placed it over his head and clamped it in place. Kol couldn’t see it but Captain Solari’s expression was fierce in the extreme. Fully feeling the loss of a Brother he held so dear and channelling that hurt into pure rage; as all marines had been conditioned to. Another word from Kol would have likely ended in immediate and brutal violence. Kol finished the signalling and burnt the parchment over a servitors mag-candle light then met his Captain out on the perimeter. The scene was tense. Commander Stonewing had dispatched his barracudas to harass the marine’s building perimeter. The order was to keep the marines in place and make sure they didn’t try to encircle the outpost. Stonewing had set up his recently arrived broadsides high on the outpost’s flat roof overlooking the entire area and leaving the marines with no safe path to the east or west. His Tidewall was complete and the earth caste drones fell back to reinforce the outpost’s walls if, somehow, the marines got close enough to use their krak grenades. Stonewing had truly thought of it all and was impressed by himself at how he had backed his opponent into a corner and had mere hours to wait before his killing blow fell. His final coup-de-gras was unloading the hammerhead’s railguns into the buildings surrounding the marine’s rendezvous point and moving his fire warrior gun lines up to engage while dropping his Battlesuits in behind. Encircling the marines completely; leaving them nowhere to hide and nowhere to run. Stonewing sent his fourth request on the position of his requisitioned hammerheads with no reply. He needed them now else the marines would be able to slip from building to building, as they had shown in the first engagement, with such ease they could very well end up encircling the Tau themselves and his well thought out plan would be in tatters. This would be truly disastrous and Stonewing was willing to wait till the next day if it meant he could execute his plan properly. Just as Stonewing replayed his planned Mont’ka over in his head, an earth caste drone relayed a distressing signal to him. -Section UZ56- hover rail dispatch has unexpected errors. Power Failure. Rail malfunction. Earth Caste Reparation drones inbound- The drone continued on with it’s work on the outpost. Stonewing cursed in his native Sa’Cean and realised his killing blow needed to be revised. Solari was losing patience and losing men. Squad Maxis had lost Brother Velay on the last pass of the Tau Baracudas and Helix Adept Medrius was tending to Brother Borus as he had taken most of a fusion blast to his right shoulder, instantly turning it to fleshy tatters. ‘Sir this isn’t going to last much longer, we don’t have the weaponry to deal significant damage to those blasted Fliers.’ Sergeant Maxis vented to Captain Solari as he loaded his carbine with a fresh ammunition clip. ‘I know Sergeant but we have no anti-air weaponry. Myself and my Shadowing would be up there amongst them shredding armour with sword and claw but alone I think I would be cut down in an instant. Though if we don’t hear back soon, by the Emperor, I will reap my share of Xenos flying machines before this day is done.’ Solari looked around and saw the energy his words gave his men. They fired with newfound hope and tried to make each shot count though woefully under gunned. Only Captain Solari knew the reality of what would happen if they didn’t receive reinforcements soon. Solari’s comms link clicked on. A faint hiss and scrambled feedback. ‘3 Sentinels en route. 2 Hours.’ That’s all Solari needed to hear. He had been granted a blessing. Hope. ——————————————————————- Chapter 2 - From the Shadows - will be posted in a few weeks.
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2020.07.29 05:27 MarinaUlysePour dresser l’état-civil de Bitcoin
Bien des exposés sur le bitcoin commencent par des considérations sur la monnaie qui, sous prétexte de questionner, risquent de perturber les tranquilles certitudes de l’auditoire (de la monnaie, bien des gens instruits se contentent de savoir qu’ils n’en ont pas assez) ou par l’exposé de prouesses cryptographiques qui sont aussi indifférentes aux honnêtes gens que les mérites respectifs des chlorofluorocarbones et des hydrofluorocarbones pour réfrigérer leur apéritif. De l’euro, on ne se demande guère « ce qu’il est ». On sait qu’il est né en 2002 avec moult messieurs en cravate autour de son berceau, et on croit qu’il est fabriqué à Francfort, personne n’attachant la moindre importance aux petits symboles des souverainetés nationales résiduelles sur les pièces. Sur ce qui lui donne sa valeur, personne ne philosophe puisqu’il est lui-même l’étalon de la valeur de toutes choses au supermarché et le moyen de se les procurer. Le Bitcoin, en comparaison, ressemble à un orphelin de milieu louche et pas trop bien vu des gens puissants. Cela lui pose des problèmes identitaires, car on cherche toujours l’origine des gens ou des choses avant d’accorder sa confiance, et ce n’est pas une démarche idiote. Peut-être faut-il donc chercher à lui donner une sorte d’état civil (nom, prénom date et lieu de naissance, domicile, profession, nationalité). Son nom vient de l’anglais « bit » : unité d’information binaire et « coin » : pièce de monnaie. C’est terriblement banal. Comme Tintin. C’est un nom où chacun peut mettre un peu de lui et se projeter . Pour ce qui est de son géniteur, en revanche, on est bien dans le romanesque. Le plus raisonnable est de penser que c’est un cypherpunk américain (ou un groupe de cypherpunks) qui a trouvé en fin 2008 le « truc » que beaucoup de gens cherchaient depuis des années. Pour le moment, ou pour toujours, il faut faire avec ce « père absent ». On peut quand même se laisser aller à dire que d’autres grands fondateurs sont inconnus, en définitive : qui a écrit la Bible ? qui a fondé Rome ? qui étaient les ancêtres de Clovis ? Mais comme nous ne vivons plus à une époque aristocratique mais dans un temps mercantile, la question de la paternité se transforme vite en question de propriété : à qui ça appartient, le bitcoin ? Ma réponse, que je livre ici, est la suivante. Le protocole le plus connu de tous, c’est l’alphabet. Nul n’en connaît précisément l’origine, et moins encore le « père ». L’alphabet est à tous, gratuitement, et il est généralement sensé de se servir de l’alphabet commun pour être compris. Mais ce que vous en faites, ce que vous écrivez (lettre, livre…) est à vous (défense de la vie privée, de la propriété intellectuelle…). Et ceci conduit à la question de la profession : « ça fait quoi ? ». Bitcoin est un truc pour échanger. Comme l’alphabet pour s’écrire, les chiffres pour faire les comptes, l’infrastructure téléphonique pour se causer ou… les protocoles http ou smtp (quand l’interlocuteur a de l’instruction !) pour surfer et s’envoyer des mails. Comme je l’ai écrit sur mon blog, dans le billet intitulé «complètement timbré», ce à quoi un bitcoin ressemblerait, pour l’usage, ce serait à une lettre (recommandée, et qui arriverait vraiment, dans les temps, et qu’il ne faudrait pas aller chercher au bureau de poste). Mais cette lettre, à peine reçue, on pourrait s’en resservir pour la renvoyer à quelqu’un d’autre. Et mettre dedans ce qu’on veut : une lettre, une image, une musique ou… de l’argent (hum… lire l’échange ci-dessous en commentaire avec Marco). Donc cette enveloppe magique, on serait d’accord pour l’acheter, assez chère, non ? C’est pour cela que certains acceptent de payer leurs bitcoins à un certain prix. Surtout que cette enveloppe magique, personne d’autre ne peut l’ouvrir que son destinataire. Alors que les mails, les sms, les virements bancaires, tout est ouvert, lu, archivé, que cela vous plaise ou non… La plus délicate question, selon moi, dans l’état civil de Bitcoin, est celle de son domicile. « Il est où le bitcoin ? » Ici, mieux vaut être rassurant. Répondre « il est dans le Cloud » risque de ne rassurer que les geeks. Et parler des data centers échauffe les écolos. Le bitcoin, il est en vérité comme les euros de la mère Michel : dans un livre. C’est juste le livre qui, au lieu d’être à la Banque Pop (où il n’y a pas d’or, d’ailleurs demandez-leur de l’or, ou même des dollars, vous verrez : il n’y a rien !) est conservé en plusieurs milliers d’exemplaires par des membres actifs de la communauté. Et ces exemplaires-là sont identiques et infalsifiables, alors que la Banque, à défaut de se « tromper » a tout de même tendance à passer des écritures dans votre compte sans trop demander votre avis. Oui, oui, mais ils sont où le bitcoin et le livre du bitcoin ? Il est en France ? en Europe ? Votre interlocuteur travaille sans doute pour les douanes… Là on entre dans un débat intéressant. Formellement vos euros sont en France parce qu’ils sont inscrits sur un livre tenu par la Caisse d’Épargne de Romorantin ou la Poste de Belleville. S’ils sont inscrits sur un livre chez Reyl et Cie à Genève, vous êtes en délicatesse avec la douane. Les bitcoins sont sur plusieurs milliers de livres, partout dans le monde. Il est donc raisonnable de penser qu’ils sont partout à la fois, à l’étranger, où que vous les ayez achetés et où que vous soyez. Des billets de banque, des lingots d’or, vous pouvez les avoir « sur vous ». Pas des bitcoins. Même dans les clés USB les mieux protégées, vous n’avez pas vos bitcoins, mais seulement la clé privée de leur adresse dans le registre. Ils seraient sur la lune ou sur la tête à Mathieu que ce serait pareil. Dans un article publié sur le Cercle des Echos, j’ai parlé des limites de la pensée à ce sujet. Nous continuons de penser, le plus souvent, avec nos sens. L’espace c’est souvent, implicitement, un territoire. Une large part de notre droit civil et de notre fiscalité est élaborée sur les savoir-faire de l’arpenteur et du conservateur des hypothèques. La « police de l’air et des frontières » se fait toujours sur le plancher des vaches. L’espace où s’inscrit le bitcoin n’est pas un territoire. À la différence des valeurs listées par la douane, le bitcoin ne voyage pas. Qu’on l’encaisse ou qu’on le décaisse, il ne franchit en réalité aucune frontière terrestre, maritime ou aérienne. Sa vitesse de circulation ne provient d’ailleurs que de ce qu’en fait il ne voyage pas, du moins pas avec nous ni dans le même espace. La meilleure comparaison pour parler de son espace, c’est peut-être de chercher quelque chose comme un terrain de jeux. Par exemple celui du Monopoly. On s’y déplace, on y fait des transactions, avec une monnaie ad hoc. Mais « Rue de la Paix » n’est pas plus en France que « Boardwalk » (la même case) n’est en Amérique. On peut d’ailleurs jouer à plusieurs, répartis sur différents continents et régler par virement dans le monde virtuel du jeu. 📷 Il est à qui le bitcoin ? Bitcoin, bien sûr, n’est pas un Monopoly. Notre interlocuteur sait bien qu’avec des bitcoins, on peut acheter dans notre monde physique des objets que l’on possède vraiment alors. Mais que veut dire pour lui posséder des bitcoins qu’il ne lui est pas possible d’enfermer dans un support matériel ? Peut-on posséder un bien immatériel quand pour ce bien il n’y a pas de certificat d’authenticité nominatif ? Il faut bien avouer que, comme pour la question du « lieu », la question du « lien » est difficile à appréhender sur la base de nos seuls sens. Notre langage lui-même ne semble pas adapté encore pour cette situation. Est-ce à dire que Bitcoin n’a point de nationalité ? Evidemment non. Bitcoin est la monnaie de l’Internet. A ce jour il est prématuré de transposer dans l’univers du web les concepts politiques territoriaux. Mais Bitcoin a une langue, qui est évidemment l’américain, même si sa devise (vires in numeris) est latine, ce qui est d’ailleurs typiquement américain ! Ce que l’on peut localiser dans notre espace à nous (sur le globe, pour faire simple) ce sont seulement ses points de contact (les exchanges, où le dollar intervient dix fois plus que l’euro semble-t-il) et les points d’appui de l’univers bitcoin dans notre univers physique. A cet égard on pourrait suggérer que Bitcoin est américain à proportion du nombre de nœuds situés aux USA (40%), ou bien majoritairement chinois car le hashrate pour sécuriser le protocole est majoritairement effectué dans les fermes de minage chinoises… Cela donne une « géographie politique » du Bitcoin. Mais la crise actuelle autour du fork XT montre que la politique du bitcoin est encore balbutiante. Voici donc quelques éléments d’état-civil, tel qu’on pourrait le tracer en famille, devant des gens qui ne sont pas coutumiers de la chose ou familiers des meet-ups. Il reste à pouvoir donner une représentation de Bitcoin. J’essayerai dans mon prochain billet.
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